Archive
The Ethnology Notebooks. 2020. # 5 (155). С. 1013–1244 DOI... read »
2012 year, issue 2 read »
The Ethnology Notebooks. 2023. № 1 (169). С. 1-270 DOI... read »
2012 year, issue 4 read »

« 2023. # 1 (169)

The Ethnology Notebooks. 2023. № 1 (169), 181—192

UDK [271.2-526.62-523.47-562:39](477.86-2)”16″

DOI https://doi.org/10.15407/nz2023.01.181

ICONOGRAPHY, SYMBOLISM AND ARTISTIC-PLASTIC FEATURES OF THE ICONS OF THE HOLIDAY ROW OF THE ICONOSTAS OF THE CHURCH  THE EXILE OF THE HOLY SPIRIT IN ROHATYN

LESIV Andriy

  • ОRCID.ID: http://orcid.org/0000-0002-3408-7496
  • Ph.D, Senior Research Scholar,
  • Department of Art History,
  • The Ethnology Institute UNAS,
  • Svobody Avenue 15, 79000, Lviv, Ukraine,
  • Contacts: e-mail: lesiv@nas.gov.ua

Abstract. Statement of the problem and relevance of the research. Analysing the genesis and stylistic evolution of the iconography of the iconostases in Ukrainian churches, we cannot ignore several icons dedicated to the main Christian holidays of the liturgical year — the Great Feasts. These icons are characterized by their multicultural background and are a valuable source for the researchers’ humanities studies in history, theology, art history, cultural studies, social anthropology, and other scientific fields. A wide range of potential scientific interest, as well as the specifics of the evolution and development of the holidays’ iconography at the junction of Western and Eastern Christian canonical traditions determine the relevance of this study.

The purpose of the article is to analyse the main and unique features of the iconography and symbolism of the Great Feasts in the context of sacred painting in Galicia during the late Renaissance. The object of the study is the characteristic features of the iconography of the Festive Row of the iconostasis, the symbolism of the images’ interpretation, its artistic and stylistic features. The subject of the study is the twelve icons of the Great Feasts from the iconostasis of the Church of the Descent of the Holy Spirit in Rohatyn. The methodological basis of the study is grounded on the historical and artistic analysis of the depicted Christian images from the point of view of their evolving at the junction of two Christian traditions — eastern and western, penetration of secular motifs into canonical sacred motifs.

The Festive Row in the Byzantine iconostasis was formed in the 10th—11th centuries. In its essence, it is an iconographic cycle of feasts dedicated to the most important events from the life of Christ and the Mother of God. The Great Feasts cycle was formed after the approval and codification of the church calendar. In Ukrainian iconostases of the 17th century (the oldest intact and unchanged iconostases) festive icons were placed in the order of the calendar year, starting from September 1st, in the direction from north to south.

As a result of the research, based on the example of the icons from the Rohatyn Church of the Descent of the Holy Spirit, the characteristic features of the Great Feasts iconography of the mid-17th century, the fusion and incorporation of motifs from the secular life of that time, in particular, the image of the people’s every day’s life, interior and exterior decoration, clothes, etc were identified and outlined.

Keywords: iconography, iconostasis, The Great Feasts Row, The Twelve Great Feasts.

Received 19.12.2022

REFERENCES

  • Svientsitska, V., & Sydor, O. (1990). A legacy of the ages. Ukrainian painting of the 14th—18th centuries in the museum collections of Lviv (Pp. 7—19).Lviv [in Ukrainian].
  • Ovsijchuk, V., & Krvavych, D. (2000). A story about the icon. Lviv [in Ukrainian].
  • Taranushchenko, S. (1994). Ukrainian iconostasis. Notes of the Scientific Society named after Taras Shevchenko (Vol. CCXXVII: works of the art history section). Lviv: the Scientific Society named after Taras Shevchenko [in Ukrainian].
  • Melnyk, V. (1991). The Church of the Descent of the Holy Spirit in Rohatyn. Kyiv [in Ukrainian].
  • Lozinski, W. (1960). Right and Left. Customs in Red Ruthenia in the first half of the 17th century. (Vol. 1). Cracow. [in Polish]
  • Polishchuk, N. The Entry of the Blessed Virgin Mary into the Temple in the ancient Ukrainian iconography. (Published: 02.12.2016). Retrieved from: https://risu.ua/vvedennya-u-hram-presvyatoji-bogorodici-v-davniy-ukrajinskiy-ikonografiji_n82378 [in Ukrainian].
  • Fedak-Helytovych, M. Resurrection (Descent into Hell) in the Ukrainian iconography. (Published: 14.04.2021). Retrieved from: https://risu.ua/voskresinnya-gospodnye-zishestya-v-ad-v-ukrajinskiy-ikonografiji_n56051 [in Ukrainian].
  • Polishchuk, N. Iconography of The Dormition of the Blessed Virgin Mary: to be in the hands of God. (Published: 28.08.2015). Retrieved from: https://risu.ua/ikonografiya-uspennya-presvyatoji-bogorodici-buti-v-rukah-bozhih_n75811 [in Ukrainian].

Read»

Our authors
Roman Radovych. Researcher, Ph.D. in History. read »
Kuzmenko Oksana Senior Researcher, Candidate of... read »
Olena Nykorak. Senior Researcher, Doctor of Arts read »
Yaroslav Taras. Head of Department, Professor, Doctor... read »
Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »