« 2023. # 2 (170)

The Ethnology Notebooks. 2023. № 2 (170), 406—412

UDK75.038.2+75.038.11(477)

DOI https://doi.org/10.15407/nz2023.02.406

UKRAINIAN MODERNIST PAINTERS IN FOREIGN ART ENVIRONMENTS: THE PARIS ENVIRONMENT

BABUNYCH Yulia

  • ORCID ID: https://orcid.org/ 0000-0002-1947-8325
  • Candidate of Art Studies (PhD),
  • Associate Professor of the Department of Art History and Theory,
  • Lviv National Academy of Arts,
  • 38, Kubiyovycha St., 79011,Lviv, Ukraine,
  • Contacts: e-mail: yulia.babunych@ukr.net

Abstract. Problem Statement. The article examines the problem of the activities of Ukrainian modernist painters outside of Ukraine. The relevance of the problem is given by the need to study the artistic experience of Ukrainian artists in emigration and its connection with the sources of national culture. Many current art phenomena in the combination of national and multicultural experiences have established themselves outside the Ukrainian ethnic lands, primarily in the leading art centers of Europe.

Purpose. In this connection, one of the foreign centers of creative activity of Ukrainian modernists of the first third of the 20th century, namely Paris, was analyzed, which became the purpose of the publication.

Results. Based on the analysis of paintings, it was determined that they had powerful professional skills and various individual artistic experiences. At the same time, it was found that Ukrainian modernists in emigration had a certain commonality of creative qualities, in particular, in the area of ​​individual treatment of plastic form and in the field of color.

Conclusion. The article revealed and proved that, having formed pro-European painting visions, domestic modernist artists did not leave the Ukrainian sources of their creativity. Many artists from Ukraine demonstrate commitment to national cultural and artistic traditions in the context of developing their own pictorial concepts and worldview orientations. The introduction of national elements of Ukrainian culture into the artistic space of European modernism played an important role.

The research methodology is based on theoretical analysis, systematization and generalization and historical review.

Keywords: modernism, painting, artistic environment, artist, creativity.

Received 25.02.2023

REFERENCES

  • Horbachov, D. (2008). Hopashno-sharovary culture as a source of the world avant garde. Kyiv: Smoloskyp [in Ukrainian].
  • Noha, O., & Kodlubay, I. (1996). Sonia Delaunay returns to Ukraine via Lviv. At the crossroads of Europe and the age (Pp. 117—308) Lviv: Misioner [in Ukrainian].
  • Susak, V.(2010). Ukrainian artists of Paris. Kyiv: Rodovid [in Ukrainian].
  • Yatsiv, R. (1998). Ukrainian intellectuals on the artistic map of Europe in the 1900s — early 1920s.The Ethnology notebooks, 4, 434—445 [in Ukrainian].
  • Markade, V. (1980). Ukrainian contribution to the avant-garde art of the early 20th century. Modernity, 7— 8, 202—221 [in Ukrainian].
  • Mudrak, M. (2018). The new generation and artistic modernism in Ukraine. Kyiv: Rodovid[in Ukrainian].
  • Hundorova, T. (2009). Manifestation of the word. Discourse of early Ukrainian modernism. Kyiv: Krytyka[in Ukrainian].
  • Marcade, V. (1990). Art d’Ukraine. Lausanne: l’Age d’Homme.
  • Holod, I., Kravchenko, Ya., Kozak, N., Mykhaylyuk, O., & Yatsiv, R. (2013). Ukrainian fine art: names, biographies, works (XI—XXI centuries). Kharkiv: Fakt [in Ukrainian].
  • Kovzhun, P. (1934). Hlushchenko. Hlushchenko: texts by Svyatoslav Gordynskyi and Pavel Kovzhun. Lviv: Asotsiatsiya nezalezhnykh ukrayins’kykh mystsiv [in Ukrainian].
  • Zalozets’kyy, V. (1926, October). Neoclassicism of Babi and Hlushchenko. Ukrainian art: Ukrainian month of plastic (Part 1, pp. 12—16) [in Ukrainian].
  • Hordyns’kyy, S. (1934). Hlushchenko. Hlushchenko: texts by Svyatoslav Gordynskyi and Pavel Kovzhun. Lviv: Asotsiatsiya nezalezhnykh ukrayins’kykh mystsiv [in Ukrainian].
  • (1969). Mykhaylo Andriyenko. Munich [in Ukrainian].

Read»

Our authors
Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »

Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
Read »

On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »