« 2024. # 2 (176)

The Ethnology Notebooks. 2024. № 2 (176), 369—376

UDK 730.071.1(477.83-25)”17/18″Г.Вітвер:378(436.1):930.253

DOI https://doi.org/10.15407/nz2024.02.369

ACADEMIC EDUCATION OF HARTMAN WITWER: IN LIGHT OF ARCHIVAL SOURCES

BONDAR Pavlo

Abstract. Hartman Witwer — Lviv sculptor, native of Imst (Austria), one of the prominent representatives of classicism in Western Ukrainіаn lands, whose personality is still uderstudied.

Problem Statement: Until now there have been known neither documentary evidence of H. Witwer’s professional education. Information about his academic training was based solely on the personal assertion of the sculptor, carved on the tombstone of Katerina Yablonovska in Lviv (completed in 1806).

Purpose: The aim of the article is to investigate the period of H. Witwer’s education at the Vienna Academy of Arts, to publish unknown documents and to consider factors that influenced the formation of H. Witwer during his studies in Vienna (environment, aesthetic ideal, pedagogical methods, faculty).

Methods: The method of scientific research was applied in studying archival sources. Historical-descriptive and comparative methods were used to analyze the influence of the artistic-pedagogical environment of the Vienna Academy of Arts on the formation of the creative personality of H. Witwer.

Results: Previously unknown documents dealing with H. Witwer’s education at the Vienna Academy of Arts have been published. The features of the educational process of the academy in the late 18th — early 19th centuries have been outlined. The artistic figures of F.A. Zauner, J.M. Fischer, and A. Canova, who had a significant influence on the formation of H. Witwer’s creative personality, have been considered.

Conclusion: H. Witwer studied at the sculpture department of the Vienna Academy of Arts for at least 5 years between 797 and 1802. The young sculptor mastered the artistic means of classicism style, which was predominant at that time. His education was comprehensive and included practical and theoretical knowledge. The creative personality of H. Witwer was mainly formed under the guidance of academy professors F.A. Zauner and J.M. Fischer, as well as the reputable Italian sculptor A. Canova, who had a special influence on the artistic processes of that time in Vienna. In 1802, H. Witwer was awarded the academic prize «Gundel-Preis» for the bas-relief «Philoctetes and Machaon».

Keywords: Hartman Witwer, Vienna Academy of Arts, classicism, antiquity, eclectic method, «Gundel-Preis» award.

Received 26.02.2024

REFERENCES

  • Biriulov, Yu. (2015). Lviv sculpture from early classicism to avant-gardism (mid-18th — mid-twentieth century). Lviv: Apriori [in Ukrainian].
  • Kupchynska, L. (1998). Vien Academy of fine arts and studying there Ukrainian and Polish youth from Halychyna. Zapysky Naukovoho Tovarystva imeni Shevchenka (Vol. ССХХХVІ, pp. 155—173). Lviv [in Ukrainian].
  • Kupchynska, L. (2015). Contibution of Yan Tysevych in investigation of Vien academy of arts activity. The Ethnology notebooks, 4, 805—812 [in Ukrainian].
  • University Archives of the Academy of Fine Arts Vienna, administrative files fol. 181/182 ex 1802 (price topic), administrative files fol. 187/188, 194 ex 1802 (prices) [in German].
  • University Archives of the Academy of Fine Arts Vienna, administrative files fol. 181 ex 1802, minutes of the meeting of 1802 fol. 38 (price). Price book:35 [in German].
  • University Archives of the Academy of Fine Arts Vienna, Name directory. Their students attending the Academy of Fine Arts in the painter-sculptor and landscape Schuke 1810—1812 (matr. vol. 3). Fol. 128 [in German].
  • Burg, H. (2018). The sculptor Franz Anton Zauner and his time. Inktank publishing [in German].
  • Poch-Kalous, M. (1949). Johann Martin Fischer Vienna’s sculptural representative of Josephinism. Vienna: Erwin Muller published [in German].
  • Bodnar, P. (2023). Lviv sculptor Hartman Vitver and his artistic family from Imst.
  • Novi arhivni znahidky ta doslidzennya. Visnyk Lvivskoi natsionalnoi akademii mystectv (Issue 30, pp. 23—29). Lviv [in Ukrainian].
  • Thieme, U., & Becker, F. (1947). General lexikon of visual artists from the Antiquiti to the present (Vol. XXXVI). Leipzig: W. Engelmann [in German].
  • (1917). The Imperial — Royal. Academy of Fine Arts in Vienna from 1892—1917. Vienna [in German].
  • Pevsner, N. (1940). Academies of Art: Past and Present. Cambridge.
  • Fontaine, A. (1909). Art doctrines in France: Painters, amateurs, critics from Poussin to Diderot. Parice [in French].
  • Scheu, Mariana. Dissertation «Johann Baptist Hagenauer (1732—1810) and his Student circle. Paths of sculpture in the 18 and 19 centuries». Vienna, 2014. Retrieved from: https://docplayer.org/113801552-Dissertation-titel-der-dissertation-johann-baptist-hagenauer-und-sein-schuelerkreis-wege-der-bildhauerei-im-18-und-19.html (Last accessed: 08.02.2024) [in German].
  • Vinkelman, Y.Y. (1990). About artistic ideal of beauty. Kyiv: Mystectvo [in Ukrainian].
  • D’ Este, A. (1864). Memoirs of Antonio Canova, written by Antonio D’ Este and published, edited by Alessandro D’ Este. Florence, F. Le Monnier. Retrieved from: https://archive.org/stream/memoriediantonio00este/memoriediantonio00este_djvu.txt (Last accessed: 09.02.2024) [in Italian].
  • Toman, Rolf (Ed.). (2000). Classicism and Romanticism — architekture, sculpture, paintings, drawings. — 1750—1848. Cologne [in German].

Read»

Our authors
On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »