2024 year, issue 6

The Ethnology Notebooks. 2024. # 6 (180). P. 1365-

DOI https://doi.org/10.15407/nz2024.06

Articles

LESIV Taras
FORMAL ANALYSIS AND NATIONAL DISCOURSE IN ART HISTORY: RESEARCH AND TEACHING OF VOLODYMYR OVSIICHUK

1401—1412

KOSIV Roksolana
THE 17th—18th CENTURY ICONS FROM THE CHURCHES IN THE YEZUPIL TOWN IN IVANO-FRANKIVSK REGION IN THE CONTEXT OF ATTRIBUTION AND THE DOCUMENTS OF THE 18th CENTURY VISITATIONS

1413—1426

HELYTOVYCH Maria
FEATURES OF COLOR IN THE ICONS OF VYSHNIA PAINTERS

1427—1440

DEREVSKA Olena
THE LAST JUDGEMENT ICONOGRAPHY AS INTERPRETED BY NIKODEM ZUBRZYCKI

1441—1449

SHEVLIUGA Oleksandra
SOME METHODS OF DEPICTING LIGHT IN THE KYIV MOSAICS OF THE XI — EARLY XII CENTURIES

1450—1460

KUPCHYNSKA Larysa
PLASTIC ANATOMY IN THE ART EDUCATIONAL INSTITUTIONS OF KYIV AND VIENNA IN THE 18th CENTURY

1461—1473

SELIVATCHOV Miсhaеl, MYKHAILOVA Rada, SHVIDIUK-BOHDAN Anastasiia
FOLK RELIGIOUS ART OF THE XX—XXI CENTURIES IN UKRAINE AS A SYSTEM OF SPECIES AND PHENOMENA: historiography, terminology, problems

1474—1489

MELNYCHUK Anastasia
PLASTIC ANATOMY IN ART INSTITUTIONS OF 19TH CENTURY UKRAINE (MYRHOROD ART AND INDUSTRIAL SCHOOL AND ART SCHOOLS OF WESTERN UKRAINE)

1490—1496

MATOLICH Iryna
THE GENESIS OF UKRAINIAN ART HISTORY IN THE SECOND HALF OF THE ХХ CENTURY: FROM SOCIAL REALISM TO POSTMODERNISM

1497—1508

SKLYARENKO Galina.
TWO HISTORIES OF UKRAINIAN ART OF THE 20TH CENTURY: IN THE EDITIONS OF 1971 AND 2007

1509—1514

OLIYNYK Olha
MASTERS OF FOLK WEAVING OF THE VILLAGE KORNYCH ІN POKUTTIA: BETWEEN AUTHENTICITY AND IMITATION

1515—1531

BANTSEKOVA Anna
THE ONTOLOGY OF CARNIVAL BY YURI CHARYSHNIKOV

1532—1540

BENDIUK Mykola
A NEW ATTRIBUTION OF THE 14TH-CENTURY ICON OF THE THEOTOKOS ODIGITRIA FROM DOROHOBUZH

1541—1546

SEMCHYSHYN-HUZNER Olesia
SAINTS IN EMBROIDERED SHIRTS: IDEA, IMAGE, ACCEPTANCE. REFLECTIONS ON UKRAINIAN RELIGIOUS PAINTING OF THE SECOND HALF OF THE 19TH — EARLY 20TH CENTURY IN GALICIA

1547—1562

MAKOYDA Orest
OLEKSA NOVAKIVSKY: SYNTHESIS OF EXPRESSION AND COLOR

1563—1575

HRYMALYUK Rostyslava
SAVED MASTERPIECES: FRESCOES OF THE CHURCH OF THE INTERCESSION OF THE HOLY MOTHER OF GOD OF THE MONASTERY OF ST. GERARD FR. REDEMPTORISTS IN THE VILLAGE OF KOHAVYNA (HISTORICAL ASPECT AND ARTISTIC FEATURES)

1576—1586

HERII Oksana, KARPIV Vasyl
THE CHAPEL OF THE HOUSE OF INVALIDS IN LVIV: CONCEPT, IMPLEMENTATION AND THE STATE OF PRESERVATION OF THE ORIGINAL DECOR

1587—1598

KORNEV Andriy
UKRAINIAN «ART CHRONICLE» WORLD WAR II (1939—1945)

1599—1603

YANOVSKA Viktoria, NEDOSHOVENKO Tamara
SEMIOTIC ASPECT OF MYTH TRANSFORMATIONS IN THE CONTEXT OF MODERN MEDIA CULTURE

1604—1609

SHCHERBAN Anatolii, HRYHORIEV Roman
«REVIVAL OF BAR CERAMICS TRADITIONS» PROJECT: MAIN SCIENTIFIC RESULTS

1610—1615

PELEKH Mariana
THE IMMACULATE CONCEPTION OF THE BLESSED VIRGIN MARY FROM VILLAGE SKULLS AS A MODEL OF NEW ICONOGRAPHY IN RELIGIOUS PAINTING AFTER ZAMOSKYI CATHEDRAL

1616—1629

DENYSENKO Olha
THE FINE ARTS HERITAGE OF O.M. BEKETOV IN THE CONTEXT OF CULTURAL AND ARTISTIC LIFE OF KHARKIV LATE NINETEENTH — FIRST THIRD OF THE TWENTIETH CENTURY

1630—1640

RYBALKO Svitlana, NOMURA Chieko
JAPANESE PLEIN-AIR PAINTINGS OF UKRAINIAN ARTISTS IN THE FIRST THIRD OF THE 20TH CENTURY

1641—1658

KOROL’ Sofia
VOLODYMYR OVSIYCHUK’S CRIMEAN LANDSCAPE. ART AS A DECOLONIAL WEAPON: THE STORY OF ONE LETTER

1659—1666

PAVLYUK Stepan
FOLK TRADITIONALITY AS AN EFFECTIVE SECURITY FACTOR AND SUCCESSFUL DEVELOPMENT OF SOCIETY

1667—1670

POZHODZHUK Dmytro
«ETHNOGRAPHIC IMAGE OF MODERN UKRAINE…», AN IMPORTANT SOURCE ON THE HISTORY OF TRADITIONAL HUTSUL HOUSEHOLD CULTURE

1671—1677

KIS Oksana
COMBAT WITCHES AND MILITANT MOTANKAS: NEW MEANING OF OLD TRADITIONS IN THE CONTEXT OF RUSSO-UKRAINIAN WAR

1678—1701

KILAR Anastasia
«EVADERS» AS A PHENOMENON IN THE RUSSIAN-UKRAINIAN WAR: TYPOLOGY, RESPONSIBILITY, SOCIAL REACTION

1702—1720

SYVAK Vasyl
LIGHTING IN TRADITIONAL DWELLINGS OF THE UKRAINIAN CARPATHIANS FROM THE LATE 19TH TO THE FIRST HALF OF THE 20TH CENTURY: THE SPLINTER TORCH AND CANDLE

1721—1742

HOROKHOVIANKO Marta
WOMEN’S ENTREPRENEURSHIP IN GALICIA ON THE PAGES OF OF THE NEWSPAPER «DILO» IN 1880—1914

1743—1752

BODNAR Halyna
NARRATIVE REPRESENTATIONS OF THE RUSSIAN WAR IN UKRAINE IN THE ORAL HISTORIES OF UKRAINIAN SOLDIERS ABOUT THE YEARS 2014—2015

1753—1764

Our authors
Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
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Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
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On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
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Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
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