Archive
«The Ethnology Notebooks» 2020 year, issue 2 read »
2013 year, issue 5 read »
The Ethnology Notebooks. 2021. #2 (158). P. 253–502 DOI... read »
The Ethnology Notebooks. 2023. № 1 (169). С. 1-270 DOI... read »

« 2024. # 1 (175)

The Ethnology Notebooks. 2024. № 1 (175), 145—153

UDK 75/76.071.1.072.2.016.4(477)”18/19″В.Кричевський

DOI https://doi.org/10.15407/nz2024.01.145

VASYL KRYCHEVSKY AS A RESEARCHER OF ART

SELIVATCHOV Miсhaеl

PUCHKOV Andriy

  • ORCID ID: https://orcid.org/0000-0002-0635-6361
  • Doctor of Art Science, Professor,
  • Presidium of the National Academy of Arts of Ukraine,
  • 20, Bulvarno-Kudryavska st., 01054, Kyiv, Ukraine,
  • Contacts: e-mail: dr.a.puchkov@ukr.net

Abstract: Relevance: The research heritage of Vasyl Krychevsky (1873—1952) is known much less, compared to the architectural, graphic, painting, and decorative works of an outstanding, universally gifted personality. This determines the purpose— a preliminary systematization and characterization of the artist’s and architect’s legacy as a scientist and critic. The objects of our article are two dozen of Krychevsky’s preserved texts in the scientific and journalistic field on the issues of sculpture, ornament, architecture, and cinema, and the article’s subject is their thematic, substantive, and stylistic features. The methodology of our work is establishing a chronology and tracing changes in conceptual approaches, analyzing texts and identifying the interdependence of Vasyl Krychevsky’s creative and scientific activities. The conclusion: an impressive erudition, scientific novelty, verbal skill and practical value of the published works allowed V. Krychevsky to be awarded the scientific degree of Doctor of Art Studies in 1939 without a dissertation defense and in the absence of a higher education diploma.

Keywords: history of Ukrainian art and architecture, art studies, art criticism.

Reseived 22.01.2024

REFERENCES

  • Pavlovsky, V. (1974). Vasyl Hryhorovych Krychevsky: Life and creativity. New York: UVAN [in Ukrainian].
  • Ruban-Kravchenko, V. (2004). The Krychevsky family and Ukrainian artistic culture of the 20th century: Vasyl Krychevsky. Kyiv: Krynytsia [in Ukrainian].
  • Savchuk, O.O. (Ed.).(2016). Vasyl Hryhorovych Krychevsky (2016—2020): Textbook: in 2 vol. Kharkiv [in Ukrainian].
  • Selivatchov, M.R., Puchkov, A.O., & Savchuk, O.O. (Ed.). (2023). Vasyl Krychevskyi: ornament compositions: album. Kharkiv: Publisher Oleksandr Savchuk [in Ukrainian].
  • Yasievich, V.E. (1993). Vasyl Krychevskyi is a singer of the Ukrainian folk style. Ukrainian art history: interdepartmental collection of scientific works (Vol. 1. p. 119). Kyiv [in Ukrainian].
  • Holme, Charles (Ed.). (1910). Peasant Art in Sweden, Lapland and Iceland. London; Paris; New York: The Studio.
  • Holme, Charles (Ed.). (1911). Peasant Art in Austria and Hungary. London; Paris; New York: The Studio.
  • Holme, Charles (Ed.). (1912). Peasant Art in Russia. London; Paris; New York: The Studio.
  • Molokin, O. Ukrainian modernism in the architecture of the 20th century. In Vasyl Hryhorovych Krychevskyi. Chrestomathy. Volume 1. 1891—1943. Kharkiv: O.O. Savchuk, 2016, p. 149 [in Ukrainian].
  • Krychevsky, V. (1910). The first competition for the Shevchenko monument. Literary and scientific bulletin (Book VI, pp. 548—550) [in Ukrainian].
  • Krychevsky, V. (1911). The second competition for the Shevchenko monument. Literary and scientific bulletin (Book III, pp. 574—576) [in Ukrainian].
  • Krychevsky, V. (1914). Letter to the editor (regarding the Shortyny project of the monument to T. Shevchenko. Radiance, 5—6, pp. 168—171 [in Ukrainian].
  • Krychevsky, V. (1914, june 11). Letter to the editors of the Rada newspaper (about the results of the competition for a monument to T. Shevchenko). Council, 130, p. 3 [in Ukrainian].
  • Krychevsky, V. (1911). Illustrated Kobzar: review of the publication. Literary and scientific bulletin (Book IV, pp. 114—121) [in Ukrainian].
  • Krychevsky, V. (1914). Understanding the Ukrainian style. Radiance, 3, pp. 88—91 [in Ukrainian].
  • Krychevsky, V. (1922). Program of the Industrial Workshop of Prof. Vasyl Krychevsky at the Institute of Fine Arts in Kyiv. Autograph: Central State Archive of the Higher Authorities and Administration of Ukraine. F. 166. Op. 2. Unit coll. 1553 [in Ukrainian].
  • Krychevsky, V. (1911). V[adim] Scherbakivsky. Architecture of different peoples and in Ukraine. Literary and scientific bulletin (Book II, pp. 440—441, Review) [in Ukrainian].
  • Krychevsky, V. (1928). Architecture of the Age. The Red Way, 3, pp. 103—114 [in Ukrainian].
  • Krychevsky, V. (1925). The house where T.G. Shevchenko lived. Ukraine, 1—2, pp. 136—138 [in Ukrainian].
  • Krychevsky, V. (1926). To the artistic design of T. Shevchenko’s house. Globe (Part 5, p. 67) [in Ukrainian].
  • Krychevsky, V. (1926). About the work on the film «Taras Shevchenko». Cinema, 12, pp.13—15 [in Ukrainian].
  • Krychevsky, V., & Kostyrko, P.G. (1938). T.G. Shevchenko Reserve in Kanev. Architecture of Soviet Ukraine, 3 [in Ukrainian].
  • Krychevsky, V. (1937). Architecture and Folk Art. Architectural newspaper, 17 [in Russian].
  • Krychevsky, V. (1997). Narbut at the Ukrainian Academy of Arts. Fine Art, 1, pp.55—59 (reprint of 1928 article) [in Ukrainian].

Read»

Our authors
Roman Radovych. Researcher, Ph.D. in History. read »
Olena Fedorchuk. Senior Research Fellow, Ph.D. read »
Ulana Movna. Senior Research Fellow, Ph.D. in History. read »
Stepan Pavluk. Prof., full member of NAS of Ukraine,... read »
Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »

On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »