Archive

« 2020. № 4 (154)

The Ethnology Notebooks. 2020. № 4 (154), 881—891

UDK 761.1.071.1.031.2.02(477)”17/18”О.Бриндіков

DOI https://doi.org/10.15407/nz2020.04.881

CONTEMPORARY READING OF FOLK WOODCUT`S TRADITION IN THE ART OF OLEKsANDR BRYNDIKOV

SHPAK Oksana

  • ORCID ID: https://orcid.org/0000-0002-9719-4432
  • Candidate of art studies, Senior researcher
  • Ethnology Institute of National Academy
  • of Sciences of Ukraine
  • Folk Art Department
  • 15, Svoboda Avenue, 79000, Lviv, Ukraine,
  • Contacts: e-mail: shpak.oksana@gmail.com

Abstract. Introduction, Problem Statement. Contemporary Ukrainian artist Oleksandr Bryndikov in his work successfully uses the artistic achievements of the folk woodcuts of the XVIII—ХІХ centuries. Based on traditional techniques, iconography, stylistics of ancient woodcuts, the artist creates his graphic replicas and independent art compositions, combines them with ornamental textile printing. This approach is especially actual today in terms of preserving traditional folk culture, strengthening the national achievements of contemporary Ukrainian art.

The work purpose: to study the prerequisites that served as creative impulses and contributed to the formation of the author’s manner by Oleksandr Bryndikov; to trace the connection of the artist’s works with authentic woodcuts of the XVIII—XIX centuries on the technique of performance, themes, iconography, stylistics.

The research techniques of the study are axiological method (to reveal the value features of ancient woodcuts and contemporary works), as well as the method of art analysis (to characterize the artist`s graphic work), and the comparative method (to compare the iconography and artistic features of Oleksandr Bryndikov’s works with authentic woodcuts).

Results. In the searching of creative ideas and ways of expression, Oleksandr Bryndikov turned to one of the least studied layers of Ukrainian art — folk woodcut. During 2010—2019 he created the significant artistic works: engravings printed on paper and canvas, which contained expressive allusions of the works of folk woodcuts of the XVIII—XIX centuries, and, at the same time, original author’s findings, which demonstrate a new reading of traditional techniques and artistic methods. In the paper artist`s graphic works of 2010th—2019th are analysed; his works` periodization is presented; art evaluation of works is given.

Conclusion. Based on the work of professional artist Oleksandr Bryndikov it is proved that the folk engraving on the wood belongs to the valuable spiritual heritage of the past and it can give a powerful creative impetus for the development of contemporary national art.

Keywords: Ukraine, woodcut, folk engraving, folk art, professional art, iconography, textile printing.

Received 11.06.2020

REFERENCES

  • Senyshyn, O. Lviv Artist Oleksandr Bryndikov Invited to the Exhibition «Woodcut». 09.06.2015. Retrieved from: https://zaxid.net/lvivskiy_mitets_oleksandr_brindikov_zaprosiv_na_vistavku_derevorit_n1354418. (Last accessed: 16.01.2018) [in Ukrainian].
  • Patrikeieva, N. (Not) Ordinary Lviv Residents. Master of Woodcut. Retrieved from: http://tvoemisto.tv/exclusive/neperesichni_lvivyany_mayster_gravyury_70506.html. (Last accessed: 27.02.2020) [in Ukrainian].
  • Icon-Engraving`s Ancient Tradition is Being Restored in Lviv. 09.06.2015 р. Retrieved from: https://risu.org.ua/ua/index/all_news/culture/sacral_art/60203/. (Last accessed: 27.02.2020) [in Ukrainian].
  • Metelskyi, R. 13 Woodcuts by Oleksandr Bryndikov. 11.06.2015. Retrieved from: https://photo-lviv.in.ua/13-derevorytiv-oleksandra-bryndikova/. (Last accessed: 15.03.2019) [in Ukrainian].
  • Shpak, О. Woodcuts on Canvas by Oleksandr Bryndikov. Art Almanac «Artes». Retrieved from: http://artes-almanac.in.ua/art/articles/derevoryty_na_polotni_oleksandra_ Bryndikova.html. (Last accessed: 27.07.2015) [in Ukrainian].
  • Skoczen-Marchewka, B. Oleksandr Bryndikov and His Woodcuts. Retrieved from: http://www.drzeworyty.pl/fascynacje. (Last accessed: 27.11.2019) [in Polish].
  • Oleksandr Bryndikov. Retrieved from: http://iconart.com.ua/ua/artists/artist-41/oleksandr-brindikov. (Last accessed: 27.02.2020) [in Ukrainian].
  • Oleksandr Bryndikov (Briundik). Retrieved from: http://art.lviv-online.com/oleksandr-bryndikov-bryundik/. (Last accessed: 27.02.2020) [in Ukrainian].
  • Oleksandr Bryndikov. Woodcut. Retrieved from: https://www.youtube.com/watch?v=LhbCZHtbQl4#action=share. (Last accessed: 17.10.2019) [in Ukrainian].
  • Lviv Artist Oleksandr Bryndikov Invited to the Exhibition «Woodcut». Retrieved from: https://www.youtube.com/watch?v=r5_fkn9P72o. (Last accessed: 08.03.2016) [in Ukrainian].
  • Ukrainian Textile Printing and Engraving by Oleksandr Bryndikov. Master Dela. 24.12.2018. Retrieved from: https://youtu.be/33i3LlrFQ0k. (Last accessed: 19.10.2019) [in Russian].
  • Album «Woodcuts by Oleksandr Bryndikov». Retrieved from: https://ww/w.facebook.com/media/set/?set=a.557558651014667&type=3. (Last accessed:14.02.2020) [in Ukrainian].
  • Shpak, O.D. (2006). The Ukrainian Folk Engravings of the XVII—XIX Centuries. Lviv: Ethnology Institute of NAS of Ukraine [in Ukrainian].
  • Grabowski, J. (1970). Folk Woodcut`s Images. Warszawa: Instytut Wydawniczy «Pax» [in Polish].
  • Folk Icon. Retrieved from: https://www.facebook.com/narodna.ikona. (Last accessed:14.02.2020) [in Ukrainian].
  • Exhibition of Woodcuts by Klaidas Navickas and Oleksandr Bryndikov. Retrieved from: http://zasliukc.lt/naujienos/331/klaido-navicko-ir-oleksandro-bryndikovo-medzio-raiziniu-paroda. (Last accessed:18.03.2020) [in Lithuanian].
  • Klaidas Navickas Wood Cuts and Paper Cuttings Exhibition in Zasliai. Retrieved from: http://www.klaidaspapercuts.lt/karpiniai/main.php?id=naujienosID544. (Last accessed:18.03.2020).
  • The Printshop. Retrieved from: https://www.facebook.com/maysternia.vybiyky/. (Last accessed:25.08.2019) [in Ukrainian].
  • Virtual Museum of Folk Woodcuts. Retrieved from: http://www.drzeworyty.pl/. (Last accessed: 16.01.2018) [in Polish].
  • Piwocki, K. (1934). Folk Woodcut in Poland. Warszawa [in Polish].

Read»

Our authors
On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
Read »