Archive
2009 year, issue 1-2 read »
2013 year, issue 2 read »
«The Ethnology Notebooks» 2019 year, issue 2 read »
2010 year, issue 1-2 read »

« 2022. # 4 (166)

The Ethnology Notebooks. 2022. № 4 (166), 938—943

UDK 75.038.6(477) “1987/1991” 

DOI https://doi.org/10.15407/nz2022.04.938

THE MAIN ARTISTIC FEATURES OF THE UKRAINIAN TRANSAVANTGARDE IN 1987—1991

SALATYUK Larysa

  • ORCID ID: https://orcid.org/0000-0002-9398-8243
  • Postgraduate student of the Lviv National Academy of Arts,
  • 38, Kubiiovycha Street, 79011, Lviv, Ukraine
  • Contacts: e-mail: larasalatyuk@gmail.com

Abstract. The purpose of the article is to identify the characteristics of the Ukrainian transavantgarde. The object of the research is the works of transavantgarde artists. The subject of research is the artistic features of these works.

The relevance of the study lies in the need to identify artistic features that distinguish the Ukrainian transavantgarde from the original Italian. The chronology of the study covers the period from 1987 to 1991, which is the period of the emergence of the transavantgarde in Ukraine, and its active development. The methodological basis of the study are methods of comparative, stylistic and artistic analysis, iconographic method.

The main objectives of the study is to analyze the work of Italian and Ukrainian transavantgarde artists; identify common features and differences between the Italian and Ukrainian transavant-garde; to identify the characteristic features of the Ukrainian transavantgarde.

Keywords: Italian transavantgarde, Ukrainian transavantgarde, artistic features, painting, «new wave», «Parkomuna».

Received 11.08.2022

REFERENCES

  • Olivia, A. (1979). La Trans-avanguardia italiana. Flash Art. Retrieved from: http://www.flashartonline.it/article/la-trans-avanguardia [in Italian].
  • Burlaka, V. (2014). Alexander Hnylitskyi. Early works. Catastrophe of the gaze. Art Ukraine. Retrieved from: http://artukraine.com.ua/a/aleksandr-gnilickiy-rannie-raboty-katastrofa-vzglyada/#.VwNKQvmLTIV [in Russian].
  • Burlaka, V. (2006). Ukrainian trans-avant-garde and new figurativeness — the experience of retrospective reflections. Art Studies of Ukraine: coll. of science pr. (Issue 6—7, pp. 61—75). Kyiv [in Ukrainian].
  • Sklyarenko, G. (2009). New wave and Ukrainian art of the end of the 20th. (Issue 6, pp. 188—195). Kyiv [in Ukrainian].
  • Sklyarenko, H. (2018). Modern art of Ukraine. Portraits of artists. IPSM NAMU. Kyiv: Huss [in Ukrainian].
  • Lozhkina, A. Wonderful ten Odessa artists in «HudPromo». Retrieved from: https://hudpromo.livejournal.com/2837.html [in Ukrainian].
  • Soloviev, A. (1999). Art of Ukraine in the 90’s (Reflections). Art magazine, 28—29. Retrieved from: http://www.guelman.ru/xz/362/xx28/x28015.htm (Last accessed: 16.06.2022) [in Russian].
  • Sidor-Gibelinda, O. (1995). Obituary of the «Commune». Terra incognita, 3/4, 24 [in Russian].
  • Akinsha, K. (1999). Wreath on the grave of Ukrainian postmodernism. Portfolio. The art of Odessa in the 1990s. (Pp. 12—15). Odesa [in Russian].
  • Oliva, A.B. (1980). Italian Transavantgarde. Milan: Politi Edi tor [in Italian].
  • Oliva, A.B. (2003). Art at the end of the second millennium. Moscow [in Russian].
  • Kochubinskaya, T. (2018). Parkomuna. Place. Community. Phenomenon. Kyiv: Publish Pro [in Ukrainian].
  • Oliva, A. (1996). Cultural nomadism and diaspora. Lecture. Kyiv: CSMS [in Ukrainian]
  • Utevskaya, K. Transavangard. Retrieved from: http://www.ko rydor.in.ua/ua/glossary/doslidnytska-platforma-transavangard.html#_ftn10 (Last accessed: 16.06.2022) [in Russian].

Read»

Our authors
Yaroslav Taras. Head of Department, Professor, Doctor... read »
Oksana Sapeliak. Senior Research Fellow, Ph.D. in... read »
Roman Radovych. Researcher, Ph.D. in History. read »
Kuzmenko Oksana Senior Researcher, Candidate of... read »
Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »

On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
Read »