Archive

« 2018. #3 (141)

The Ethnology Notebooks. 2018, 3 (141), 719–725

UDK 792.82:78.085.5(477)”1950/1999″

DOI https://doi.org/10.15407/nz2018.03.719

BALLET MUSIC OF UKRAINIAN COMPOSERS AND ITS REFLECTION IN CHOREOGRAPHY (SECOND HALF OF THE 20TH ENTURY)

Khotsianovska Liudmila Frantsivna, associate professor
of folk and classical choreography department KNUKiM,
Honored Artist of Ukraine.
Ye. Konovaltsia Street 36, 01601, Kyiv, Ukraine.
Contacts: Tel. (097)-903-27-67, e-mail: khotsya@ukr.net

Abstrakt. In article the attempt of the system analysis of data on ballet music of the Ukrainian composers in the second half of the XX century is made. Neoclassical and postmodern concepts of development of the ballet during the second half of the last century are considered. Theoretical justification of indissoluble connection of music with dance in the ballet is carried out. It is proved that organic synthesis of music and choreography in the ballet becomes possible thanks to connection of the figurative nature of these arts. Works of such Ukrainian composers of ballet music as M. Verykovskyi, M. Skorulskyi, K. Dankevych, V. Homoliaka, A. Kos-Anatolskyi, E. Stankovic are investigated. It is proved that during the second half of the 20th century the musical conglomerate of composers who were involved in formation of the contemporary art history of the ballet was created. Personal character (identity), sensuality, refinement and emotional complexity became characteristics of their creativity. Ukrainian composers has managed to connect skillfully in the music classics and the present, to enrich ballet compositions with energy of free plasticity and an esthetics. As music of composers is closely connected with the Ukrainian folklore, so to their works inherent heroic pathos, lyricism, brightness and an emotional spontaneity and also combination of the distinguished equipment and the detailed polyphonic invoice with melodious lyricism and an expression. It is specified that in the second half of the XX century in Ukraine such form of theater as the national and heroic drama which was characterized by bright national coloring, epic dramatic art and also combination of musical and choreographic folklore is formed. A connection of symphonic numbers from richly orchestrated and inventively arranged quotes from the Ukrainian national songs was typical for music. In general the understanding of national character, melodious plasticity, bright figurativeness, feeling of poetic intonation and original style are inherent in the national and heroic drama. Combination of heroic pages of the Ukrainian history with the present is inherent in a number of works. Many Ukrainian composers in search of folklore motives for the works addressed musical inheritance of the most original and archaic historical and geographical regions of our country, in particular Prykarpattia.

Keywords: ballet, ballet music, choreography, choreographic art, dramatic art, composer, art, dance, scenario, dansology, history, classics, postmodern, eclecticism.

Received 21.02.2018

References

Baitalska, S.S. (2009). Muzychne vykhovannia ta osnovy khoreohrafii z metodykoiu vykladannia. Lutsk: Vezha [in Ukrainian].
Davydova, O. Mykhailo Verykivskyi: stanovlennia tvorchoi osobystosti (1923—1941 roky). Naukovyi visnyk Natsionalnoi muzychnoi akademii Ukrainy imeni P.I. Chaikovskoho: Kompozytory i muzykoznavtsi Kyivskoi konservatorii u 1923—1941 rokakh. Issue. 113, 100—108 [in Ukrainian].
Zavialova, O.K. (2014). Istoriia baletnoho mystetstva: vid vytokiv — do pochatku XX st. Sumy: Mriia [in Ukrainian].
Zahaikevych, M.P. (1978). Dramaturhiia baletu. Kyiv: Naukova dumka [in Ukrainian].
Zahaikevych, M.P. (2009). Mykola Hohol i baletna tvorchist ukrainskykh kompozytoriv. Studii mystetstvoznavchi: Teatr. Muzyka. Kino, 4, 68—73 [in Ukrainian].
Mukha, A.I… (eds.). (2004). Istoriia ukrainskoi muzyky, 1941—1958 rr. (Vol. 5). Kyiv: NAN Ukrainy; IMFE im. M. Rylskoho [in Ukrainian].
Kovalenko, Ye. (2014). Balet «Lileia» K. Dankevycha yak vzirets khoreohrafichnoi interpretatsii Shevchenkovoi tvorchosti. Kulturolohichna dumka: Shchorichnyk nauk. prats, 7, 19—27. Kyiv: Instytut kulturolohii Natsionalnoi akademii mystetstv Ukrainy [in Ukrainian].
Stanishevskyi, Yu.O. (2003). Baletnyi teatr Ukrainy: 225 r. istorii. Kyiv: Muzychna Ukraina [in Ukrainian].
Stanishevskyi, Yu.O. (2002). Natsionalna opera Ukrainy. Kyiv: Muzychna Ukraina [in Ukrainian].
Fryz, P.I. (2008). Mystetstvo baletmeistera. Drohobych: Drohobytskyi derzh. pedahohichnyi un-t im. Ivana Franka [in Ukrainian].
Chekan, Yu. I. Yevhen Stankovych: try shtrykhy do portreta. In Z istorii Kyivskoi konservatorii — NMAU im. P.I. Chaikovskoho. Do 100-richchia NMAU im. P.I. Chaikovskoho, (pp. 153—161) [in Ukrainian].
Chepalov, O.I. (2007). Khoreohrafichnyi teatr Zakhidnoi Yevropy XX st. Kharkiv: XDAK [in Ukrainian].
Shabalina, O.M. (2010). Vid tantsiu ekspresyvnoho do tantsiu intelektualnoho. Visnyk Kharkivskoi derzhavnoi akademii dyzainu i mystetstv. Mystetstvoznavstvo. Arkhytektura, 1, 242—246 [in Ukrainian].
Sharykov, D.I. (2008). Klasyfikatsiia suchasnoi khoreohrafii: napriamy, styli, vydy. Kyiv: Vydavets Vadym Karpenko [in Ukrainian].
Borys, Ejfman: Ya propoviduiu total’nyj teatr. Retrieved from: www/ ria.ru/interview.
Karmazin, A. Mihail Verikovskij — novyj kontekst. Retrieved from: day.kyiv.ua.

Read»

Our authors
Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »