« 2020. № 3 (153)

The Ethnology Notebooks. 2020. № 3 (153), 594—604

UDK 821.161.2-32.09″19″:[343.261-052:323.28](477.83+477.86)

DOI https://doi.org/10.15407/nz2020.03.594

SPECIFICITY OF NARRATIVES ABOUT SUBJECT-EMOTIONAL AND SPIRITUAL NATIONAL MARKERS IN THE LIFE OF POLITICAL PRISONERS (on materials recorded in Stryi district of Lviv region and in Burshtyn, Ivano-Frankivsk region)

KRAVTSOVA Galina

ORCID ID: https://orcid.org/0000-0002-3774-1481

Candidate of Philology

Junior research folklore department

of the Institute of Ethnology of the National Academy

of Sciences of Ukraine,

Svobody ave., 15, 79000,

Lviv, Ukraine

Contacts: e-mail: galynamagas@gmail.com

Abstract. An important aspect of life and development of the Ukrainian nation is the broad cultural discourse on the issue of Soviet totalitarianism, the creation of a coherent Ukrainian memory base. It should certainly be based on the narratives of former political prisoners. In view of this, the main idea of the proposed intelligence is focused on the individual modes of survival of Ukrainian political prisoners in the human-killing system of the GULAG — subject-emotional and spiritual markers, exploring them as one of the means of self-preservation during the place of physical, psychological and mental destruction of the individual.

Ubject-emotional markers in this context are tangible values created in captivity, which evoke certain positive feelings, a sense of «one’s» microp space in an «alien» macro-space. These include rosaries, images, drawings, leaflets, embroidery, needlework and more. The second category is intangible. These are: traditional rituals for religious holidays, songs, spiritual practices (collective prayers, liturgies), etc. A study of the motif-like system of folk prose about subject-emotional and spiritual national markers of political prisoners demonstrates its rooting in tradition. The closeness of stories and narratives to Ukrainian folk culture is evidenced by the sacramental codes in the texts: concepts, images, archetypes, motives. At the same time, they reflected the latest national-patriotic spirit. The analysis of the poetics of works reveals the functions of prison creativity, which contributed to the preservation of fundamental social identities — representative, consolidating, axiological, expressive, psychotherapeutic, protest. Thus, the texts are not only a striking expression of the folk philosophy of the period in which they were produced, they show the peculiarities of the values system of that time, they are an organic component of the treasury of nation-wide literary heritage.

The main attention in the article is paid to motives and images. It is noted that the texts are characterized by traditionalism both at the level of ideas and poetics. The basis of the article is the author’s field materials.

Keywords: story, motive, image, national specificity, political prisoner.

Received 19.05.2020

REFERENCES

Pukhonskaya, O. (2016). Literary dimension of the Gulag in the novel Les Knights of Love and Hope by Lesya Romanchuk. Scientific Bulletin of the Mykolayiv National University named after VA Sukhomlinsky. Series: Philological Sciences, 2, 98—202 [in Ukrainian].
Tolstaja, S. (2012). Bread. Slavic antiquities (Vol. 5). Moskva [in Russian].
Datsenko, S. (2019). Faith in captivity. From the personal narratives of the Gulag prisoners in the memorial stock collection. The Military Meridian (Issue 1 (23), pp. 62—71). Kyiv [in Ukrainian].
Demian, G. (2003). Ukrainian Insurgent Songs of the 1940s—2000s (historical and folklore study). Lviv [in Ukrainian].
Lunio, E. (1999). People and Motherland in the rebel songs (based on factual materials from Yavoriv region). The Ethnology Notebooks, 3, 323—325. Lviv [in Ukrainian].
Korchak, D. (2018). What you saw and experienced: memories of a political prisoner. Strey [in Ukrainian].
Sumtsov, N. (1888). Essays on the History of South Russian Apocryphal Tales and Songs. Kyiv [in Russian].
Ivannikova, L. (2012). Biblical symbols in Ukrainian folklore: Jerusalem Golgotha the fire of grace. Mythology and folklore (Pp. 5—15). Lviv [in Ukrainian].
Kachmar, M. (2018). The archetype of folklore. Ukrainian Folklore Encyclopedia. Lviv [in Ukrainian].
Kravtsova, G. (2014). The poetic dimension of rebel prison songs. The Ethnology Notebooks, 4, 754—759. Lviv [in Ukrainian].
Kuzmenko, O. (2018). Dramatic Being of Man in Ukrainian Folklore: Conceptual Forms of Expression (the First and Second World Wars). Lviv [in Ukrainian].
Kis, O. (2017). Ukrainian women in the GULAG: survival means victory. Lviv: Institute of Ethnology; NAS of Ukraine [in Ukrainian].
Sorochuk, L. (2015). Ethno-cultural tradition of Ukrainianness in the context of world cultural space. Ukrainian almanac (Issue 18, pp. 252—256). Kyiv [in Ukrainian].
Potikevich-Zabolotnaya, M. (1996). We very much need to live. Ternopil [in Ukrainian].
Sokil, V. (2017). Folklore prose about the Holodomor of the XX century in Ukraine: the paradigm of the text. Lviv [in Ukrainian].
Ovsyanyk, Y. (2017). Warm clouds of Peter Obal. Retrieved from: https://zbruc.eu/node/66488 [in Ukrainian].
Kis, O. (2016). Creativity of Ukrainian political prisoners in the Gulag. Folk creativity and ethnolog, 3, 51—59 [in Ukrainian].
Kochergina, S. (1998). Fates of Galician political prisoners and allegorical symbolism in their camp products (on the materials of the exhibition «Military-historical monuments, 2001). LIM Scientific Papers (Vol. 7, pp. 283—295). (Electronic resource). Retrieved from: https://.livejournal.com/223909.html [in Ukrainian].

Read»

Our authors
On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
Read »