« 2021. # 4 (160)

The Ethnology Notebooks. 2021. № 4 (160), 938—946

UDK745/749(=161.2)”20″:351.858

DOI https://doi.org/10.15407/nz2021.04.938

ETHNIC MEANINGS OF CREATIVE PRACTICES OF UKRAINIANS AT THE BEGINNING OF THE XXI CENTURY

HERUS Lyudmyla

  • Сandidate of Аrts (Ph. D), Senior Researcher
  • of the Institute of Ethnology of the National Academy
  • of Sciences of Ukraine, in the Department of Folk Art,
  • 15, Svobody Avenue, 79000, Lviv, Ukraine,
  • Contacts: e-mail: ludmilagerus@gmail.com

Abstract. Introduction. Analysis of the artists’ interpretation of the cultural and artistic heritage of Ukrainians in modern creative practices, clarification of its place and role in the artistic process of the early XXI century is a priority of the humanities and, in particular, requires an art view to understand the real state of art and expectations, its development.

The relevance of this research topic was confirmed by the intensification of understanding and modern interpretation of the artistic heritage of Ukrainians, who have gained exceptional importance during the Revolution of Dignity and the war in eastern Ukraine.

Purpose of the article: highlighting the role of Ukrainian decorative and applied arts in the expression of Ukrainians, in the formation of spirituality, the establishment of national consciousness, showing a special attitude to historical monuments and heritage of decorative and applied arts in Ukraine, in particular, during the war and economic crisis, outlining the range of creative practices and their evaluation.

The source base of the article was the author’s observations of modern creative practices of artists, information from Internet sources.

Methods. The study was conducted on the basis of methods of hermeneutics and art analysis, systemic and axiological approaches.

Results. The article in the context of trends in Ukrainian society and culture of the early XXI century revealed the features of the manifestation of ethnicity in the creative practices of artists. The special role of folk arts and crafts was emphasized, its influence on the formation of national consciousness and patriotic civic position of Ukrainians was clarified, in particular, a new interpretation of ethnic symbols was highlighted, which caused the events of the Revolution of Dignity and the war in eastern Ukraine, in which artistic practices became extremely relevant.

In the article the next conclusions are drawn. The artistic practices of Ukrainians at the beginning of the XXI century, which are characterized by broad pluralism and creative subjectivism, produce a wide range of various manifestations of sharply topical reflections, a significant place in which belongs to the expression of ethnic meanings.

Today, one of the effective mechanisms for shaping the image of the state in the international arena is cultural diplomacy, based on the exchange of ideas, values and other components of identity. Artistic practices play a prominent and important role here. In today’s globalized world, where maintaining identity at different levels of human existence has become a challenge for every nation, the work of Ukrainian artists, based on deep cultural strata, represents patriotism and civic position and at the same time affirms Ukrainian culture.

Keywords: Ukraine, ethnos, ethnicity, decorative art, meaning, creative practice, artistic heritage.

Received 3.08.2021

REFERENCES

  • Marukhnyak, J. The charity exhibition-auction opened in the Lviv garrison church of Peter and Paul. Retrieved from: https://day.kyiv.ua/uk/news/140716-u-lvivskomu-garnizonnomu-hrami-petra-i-pavla-vidkrylas-blagodiyna-vystavka-aukcion (Last accessed: 30.07.2021) [in Ukrainian].
  • Pasternak, N. (2016). «Artists — Warriors». Culture and life (P. 12) [in Ukrainian].
  • Kiselyova, K. Roman Bonchuk painted a 27-meter picture of Euromaidan. Retrieved from: https://gazeta.ua/ru/articles/culture-newspaper/_roman-bonchuk-napisal-27metrovuyu-kartinu-o-evromajdane/624593?mobile=true (Last accessed: 30.07.2021) [in Ukrainian].
  • The Carpathian artist painted the triptych icon «Heavenly Hundred». Retrieved from: https://www.radiosvoboda.org/a/25321634.html (Last accessed: 30.07.2021) [in Ukrainian].
  • Shot, M. Aura of painted helmets. Retrieved from: https://ukurier.gov.ua/uk/articles/aura-rozmalovanih-kasok/ (Last accessed: 30.07.2021) [in Ukrainian].
  • Brick, A. The art of war: Ternopil residents paint army helmets. Retrieved from: https://nday.te.ua/mystetstvo-vijny-ternopolyany-rozmalovuyut-armijski-sholomy/ (Last accessed: 30.07.2021) [in Ukrainian].
  • Embroidered card «Ukraine — together!» presented in parliament as a symbol of the desire of Ukrainians for national unity and strong statehood. Retrieved from: https://iportal.rada.gov.ua/news/Novyny/166512.html
  • http://artukraine.com.ua/a/ridicule–uroki-truda-ot-ukrainskikh-khudozhnic/#.WwWBWO6FPIW (Last accessed: 30.07.2021) [in Ukrainian].
  • Bulanova-Duvalko, L. Ridicule: Lessons from Ukrainian artists. Retrieved from: http://artukraine.com.ua/a/ridicule–uroki-truda-ot-ukrainskikh-khudozhnic/#.WwWBWO6FPIW (Last accessed: 30.07.2021) [in Ukrainian].
  • 21st century embroidery: instead of needles and threads — tiles and cement. In Vinnytsia, the central entrance to the city park is being «embroidered». Retrieved from: https://vn.depo.ua/rus/vn/vishivka-hhi-stolittya-zamist-golki-ta-nitok-plitka-i-21082015195500 (Last accessed: 30.07.2021) [[in Ukrainian].
  • Vinnytsia schoolchildren painted 85 meters of the school fence in an embroidered shirt. Retrieved from: https://hromadskeradio.org/ru/news/2016/08/30/vinnycki-uchni-rozmalyuvaly-85-metriv-parkanu-shkoly-u-vyshyvanku-video?page=3 (Last accessed: 30.07.2021) [in Ukrainian].
  • The unique art object «Heart of Ukraine» will be created in Cherkasy region. Retrieved from: https://www.ukrinform.ua/rubric-tourism/3285751-na-cerkasini-stvorat-unikalnij-artobekt-serce-ukraini.html (Last accessed: 30.07.2021) [in Ukrainian].
  • Metelsky, R. «Silence» and «Mamayeva shirt» by Yaroslava Tkachuk and Olga Kravchenko. Retrieved from: http://photo-lviv.in.ua/tysha-ta-mamajeva-sorochka-vid-yaroslavy-tkachuk-ta-oli-kravchenko/ (Last accessed: 30.07.2021) [in Ukrainian].
  • Solonets, O. Euromaidan on vytynankas. Cherkasy artist Mykola Telizhenko creates a series of works dedicated to the latest events in Ukraine. Retrieved from: https://day.kyiv.ua/uk/article/taym-aut/ievromaydan-na-vitinankah (Last accessed: 30.07.2021) [in Ukrainian].
  • Herus, L. (2017). Shopka in the Ukrainian Christian tradition: genesis, history, symbolism. Ethnographic notebooks, 3  (135), 579—595 [in Ukrainian].
  • Herus, L.M. (2013). Ritual bread as an artistic artifact. Art History’13: Science. zb. (Pp. 29—38) [in Ukrainian].
  • Kachur, K. Folklorists honored the victims on the Maidan with baked birds from the dough. Retrieved from: https://honchar.org.ua/p/vypechenymy-ptahamy-z-tista-folklorysty-vshanuvaly-zahyblyh-na-majdani/?nggpage=2 (Last accessed: 30.07.2021) [in Ukrainian].

Read»

Our authors
On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
Read »

Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
Read »

On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »