Archive
The Ethnology Notebooks. 2023. № 2 (170). С. 271-502 DOI... read »
2013 year, issue 2 read »
«The Ethnology Notebooks» 2018 year, issue 6 read »
«Narodoznavchi Zoshyty» 2017 year, issue 2 read »

« 2023. # 3 (171)

The Ethnology Notebooks. 2023. № 3 (171), 719—730

UDK 7.071.1(477)(092)”1895/1991″О.Павленко

DOI https://doi.org/10.15407/nz2023.03.719

OKSANA PAVLENKO AND UKRAINE: LITTLE-KNOWN PAGES BIOGRAPHIES OF ARTISTS

SAVKO Julian

  • Associate Professor of the Department of Academic Drawing,
  • Lviv National Academy of Arts,
  • Honored Artist of Ukraine,
  • 38, Kubiyovych st., Lviv, 79011, Ukraine,
  • Contacts: e-mail: savkojulian@gmail.com

Abstract. The article is dedicated to one of the little-known pages of the biography of a prominent Ukrainian artist, a classic of the artistic avant-garde, a student of M. Boichuk, Oksana Pavlenko (1895—1991). It is based on the materials of the author’s personal contacts with the artist in the period of the late 1960s — early 1970s, which were connected with the circumstances of the organization of her personal exhibition in the Lviv Art Gallery (1970).

The relevance of the article lies in the fact that, for the first time, a group of original epistolary documents — letters written by O. Pavlenko to the author of the publication during 1969—1972 — were introduced into scientific circulation. They provide an opportunity to scientifically reconstruct certain details of the creative biography of the artist. Taking into account the fact that during the period of restoration of the Ukrainian state, a number of researchers turned to the figure of Oksana Pavlenko, most of these publications consider her works or highlight the aspect of influences on her painting language of the concept of neo-Byzantineism developed by her direct professional mentor Mykhailo Boychuk.

Information about the artist’s connections with Ukraine during her forced stay outside the Motherland is less well known.

The object of the study is the scientifically reliable facts of the author’s contacts with O. Pavlenko in the chronology of 1969—1972, the subject is the circumstances, thanks to which the connection of the artist with Ukraine deepened.

The methodological basis of the research is biographical, historical-cultural and scientific-reconstructive methods, which allowed to consider at an interdisciplinary level the complex of factors that preceded and accompanied the organization of the artist’s personal exhibition in Lviv in February-March 1970.

Keywords: Oksana Pavlenko, school of Mykhailo Boychuk, Ukrainian modernism, neo-styles, neo-Byzantineism, Boychukism, «shot revival», painting, monumental art, graphics, epistolary heritage, cultural memory, correspondence.

Received 16.06.2023

REFERENCES

  • Bilokin’, S. (1988). The Ukrainian artist Mykhailo Boychuk returns to us from under falsehood. Ukraine, 9, 11—12 [in Ukrainian].
  • Bilokin’, S. (1988). Collectivism — the pathos of Mykhailo Boychuk’s work. Fine Art, 1, 22—25 [in Ukrainian].
  • Ripko, O., & Prystalenko, N. (Eds.). (1991). Boychuk and Boychukists, Boychukism: Monumental art. Painting. Graphics. Book. Decorative and applied art. Photo. Documents: Catalog of the exhibition. Lviv: Editorial and publishing department of the region. press management [in Ukrainian].
  • Cherevatenko, L. (1987). «Speak — my life — and hold back your tears…»: (memoirs of O. Pavlenko). Science and Culture. Ukraine: yearbook (Issue 21, pp. 360—384) [in Ukrainian].
  • Cherevatenko, L. (1989, may). One and a half bells to Oksana Trokhymivna. Ukraine, 20, 11—14[in Ukrainian].
  • Okhmakevych, N. (1988, august 4). «Images of Oksana Pavlenko’s Time»: (from person. ext. artist). Literary Ukraine, 31 [in Ukrainian].
  • Klymenko, N. (2002). Memory of Oksana Pavlenko. Fine Art, 1, 22 [in Ukrainian].
  • Kravchenko, Ya. (2010). Mykhailo Boychuk School. Thirty Seven Names. Kyiv: Book Workshop; Oranta [in Ukrainian].
  • Kravchenko, Ya. (2003). Those who knew Mykhailo Boychuk: (from the letters of O. Pavlenko). Fine Art, 4, 20—22 [in Ukrainian].
  • Kravchenko, Ya. (2015, march 5). The last of the «Boichukists» cohort. To the 120th anniversary of the birth of the artist Oksana Pavlenko. Day. Kyiv [in Ukrainian].
  • Sokolyuk, L. (2002). Graphics by Oksana Pavlenko. Boychukist graphics (Pp. 173—191). Kharkiv; New York [in Ukrainian].
  • Plyukhina, O. (2011). Traditions of Boychukism in the work of Oksana Pavlenko. Museum Almanac (Issue 2, pp. 49—52). Cherkasy [in Ukrainian].
  • Zhmurko, T. Portrait: Oksana Pavlenko. About boychukism, feminism and construction of a new future. Retrieved from: https://supportyourart.com/stories/oksana-pavlenko/
  • Shot revival. Retrieved from: https://uk.wikipedia.org/wiki/%D0%A0%D0%BE%D0%B7%D1%81%D1%82%D1%80%D1%96%D0%BB%D1%8F%D0%BD%D0%B5_%D0%B2%D1%96%D0%B4%D1%80%D0%BE%D0%B4%D0%B6%D0%B5%D0%BD%D0%BD%D1%8F
  • (1970). Exhibition of works by Oksana Pavlenko: (Exhibition booklet). Lviv: Lviv State Art Gallery [in Ukrainian].

Read»

Our authors
Oksana Sapeliak. Senior Research Fellow, Ph.D. in... read »
Ulana Movna. Senior Research Fellow, Ph.D. in History. read »
Olena Nykorak. Senior Researcher, Doctor of Arts read »
Kuzmenko Oksana Senior Researcher, Candidate of... read »
Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
Read »

On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »