« 2018. #1 (139)

The Ethnology Notebooks. 2018, 3 (141), 269–280

UDK 745.52.046(44)”16”:[069.02:39(477.83-25)

DOI https://doi.org/10.15407/nz2018.01.269

Received 4.02.2018

FRENCH ROYAL TRAIL OF ANCIENT LOVE IN LVIV TAPESTRIES

ORCID ID: https://orcid.org/0000-0002-8383-227X

Klimashevskyi Andrii, Candidate of Sciences in Art Studies,

Deputy in  scientific and museum work of director

of the Institute of Ethnology

of the National Academy of Sciences of Ukraine.

Svobody Avenue 15,  79000, Lviv, Ukraine.

Contacts: e-mail: ina@mail.lviv.ua

Oksana Herii, Candidate of Sciences in Art Studies,

Senior Researcher,

Folk Art Department

of the Institute of Ethnology

of the National Academy of Sciences of Ukraine.

Svobody Avenue 15,  79000, Lviv, Ukraine.

Contacts: e-mail: ina@mail.lviv.ua

 Abstract. The article attributes the tapestry of the XVII century, which is presented in the exposition of the Lviv Museum of Ethnography and Arts. The country of production of this tapestry, the manufactory, a probable author of the cardboard to it is ascertained on the basis of use of a broad comparative material, analysis of iconography, compositional construction, and disclosure of the symbolic and allegorical content of the images, the country of production of this tapestry. The plot action, presented in the mullion of the wallpaper, is considered and interpreted in the context of the cultural-historical and political processes in Europe XVII century.

Keywords: tapestry, wallpaper, baroque, France, Aubusson, Anna Austrian, Mazarini, Cleopatra, Simone Wue.

REFERENCES

Bietoletti, S. (2012). Palacco Pitti. Florencіja. Kiїv: Novij Druk.
Bokkardo, P. Di Fabio K. (2011). Muzei Strada Nuova. Genuja. Har’kov: Chajka.
Bol’shaja illjustrirovannaja jenciklopedija drevnosti. Praga: Artija, 1980.
Vlasov, V. (2004). Novyj jenciklopedicheskij slovar’ izobrazitel’nogo iskusstva: v 10 t. (T. 2). Sankt-Peterburg: Azbuka-Klassika.
Gandl, S. (2011). Glazur. Moskva: Novoe literaturnoe obozrenie.
Gonsales, M. Bartolena, S. (2011). Zhenshhiny. Moskva: Omega.
Dzhulio Mazarini (2003). Ot Renessansa do veka Prosveshhenija. Moskva: Art-Rodnik.
Impelluzo, L. (2007). Geroi i bogi antichnosti. Moskva: Omega.
Impelluzo, L. (2009). Priroda i ee simvoly. Moskva: Omega.
Kastria, F., Dzuffi, S. (2002). Zhivopis’ barokko. Glubiny dushi v bespredel’nosti mira. Moskva: Astrel’.
Kibalova, L., Verbenova, O., Lamarova, M. (1980). Illjustrirovannaja jenciklopedija mody. Praga: Artija.
Levi, Je. (2007). Kardinal Rishel’e i stanovlenie Francii. Moskva: Astrel’.
Onori, L.M., Barukka, G. (2012). Nacional’naja galereja Marke. Kiev: Novyj Druk.
Paskvinelli, B. (2009). Zhest i jekspressija. Moskva: Omega.
Rapelli, P. (2008). Simvoly vlasti i velikie dinastii. Moskva: Omega.
Sharnova, E. (2010). Luvr. Moskva: Slovo.
Shtajn, V. (2003). Hronologija mirovoj civilizacii (T. 1). Moskva: Slovo.
Brosens, К. (2001). Nouvelles données sur l’Histoire de Cléopâtre. Le réseau parent et la tapisserie bruxelloise à la française’. Revue belge d’archйologie et d’histoire de l’art. № 70. Р. 63–77.
Campbell, Т.Р., Bertrand P.F., Bapasola. (2007). Tapestry in the Baroque: Threads of Splendor. New York: Metropolitan Museum of Art.
Charles Poerson, 1609–1667. Сatalogue par Barbara Brejon de Lavergnйe, Nicole de Reyniиs, Nicolas Sainte Fare Garnot. Paris: Arthena, 1997.
Hartkamp-Jonxis, E. (2006). Scandinavische connectie. Nederlandse wandtapijten en andere tapisserieweefsels in relatie tot hun Deense en Zweedse afnemers, 1615 tot 1660. Textielhistoriche Bijdragen. № 46. P. 45–72.
Hartkamp-Jonxis, E., Smith, H. (2004). European Tapestries in the Rijksmuseum. Amsterdam.
Heinz, D. (1995). Europдische Tapisseriekunst des 17. und 18. Jahrhunderts. Wien.
Hennel-Bernasikowa, M. (2000). Gobeliny XV–XIX wieku w zamku krуlewskim na Wawelu. Zamek krуlewski na Wawelu. Krakуw.
Jervis, S. (1984). The Penguin Dictionary of Design and Designers. London.
Przymanowski, J. (1983). Odsiecz Europy. Warszawa: Nasza Ksiкgarnia.
Reyniès N. Decouverte d’une tenture française «L’histoire de Clèopâtre», XVII siècle. Cataloque. Nice: Palais Lascaris.
Reyniès N., Laveissiиre, S. (2005). Isaac Moillon 1614–1673. Un peintre du roi á Aubusson. Paris: Somogy.
Saule, B., Meyer, D. (1999). Versailles. Paris: Art Lys.
Thieme, U., Becker, F. (1933). Allgemeines Lexikon der bildenden Kьnstler. Vol. 27.
Antony Presents Artavasdes, King of the Armenians, to Cleopatra from The Story of Antony and Cleopatra: The Art Institute of Chicago. URL: http://www.artic.edu/aic/collections/artwork/90513.
Brosens, К., Delmarcel, G. (2005). Isaac Moillon, un peintre du roi à Aubusson: Some Reflections and Addenda. URL: http://www.studiesinwesterntapestry.net.
«La mort de Cléopâtre», pièce de la tenture de l’Histoire des amours de Marc. URL: http://www.musees-mediterranee.org/portail/collections_fiche.php?menu=6&num_coll2=1300.
Mailho-Daboussi, L. (2010). Les tapisseries: étude d’une collection publique. In Situ. № 13. 2010. URL: http://journals.openedition.org/insitu/6960.
Palais Lascaris. URL: http://tresors.nice.fr/lieu/palais-lascaris-nice.
The Battle of Actium from The Story of Caesar and Cleopatra: The Art Institute of Chicago. URL: http://www.artic.edu/aic/collections/exhibitions/ divineart/artwork/147056/print.

Read»

Our authors
On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »

Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
Read »

Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
Read »