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The Ethnology Notebooks. 2018, 2 (140), 410—415.

UDK 748.5

DOI https://doi.org/10.15407/nz2018.02.410

Received 9.02.2018

STAINED GLASS IN THE RESTORED SACRAL BUILDINGS OF IVANO-FRANKIVSK XX — EARLY XXI CENTURY

Hiliazova Natalia, candidate of arts (Ph. D), docent

Head of the Design Department, PHEI University of King Danylo.

35 Yevhen Konovalets str., Ivano-Frankivsk, Ukraine

Abstrakt. The article deals with the iconographic, artistic and stylistic features of the creation of works of temple stained glass art in Ivano-Frankivsk. The main compositional solutions are highlighted and the coloristic features of stained glass windows in the restored sacred buildings of the late XX — early XXI centuries are described.

Keywords: stained-glass, restoration, formation, composition.

REFERENCES

Bon’kovs’ka, S.M. (2001). Ukrains’kyj sviaschennyj posud XVI — pershoi pol. XVII st. u konteksti ievkharystijnoho kanonu. Mystetstvoznavstvo, 1, pp. 9—21 [in Ukrainian].
Budzan, A.F. (1960). Riz’ba po derevu v zakhidnykh oblastiakh Ukrainy. Kyiv: Akademiia Nauk URSR [in Ukrainian].
Hiliazova, N.M. (2011) Khramovi vitrazhi Ivano-Frankivschyny kintsia XX stolittia (sty-listyka, ikonohrafiia ta khudozhnie vyrishennia). Visnyk Kharkivs’koi derzhavnoi akademii dyzajnu i mystetstv, 8, 55—59 [in Ukrainian].
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