Archive

The Ethnology Notebooks. 2020. # 1 (151). P. 1–248

DOI https://doi.org/10.15407/nz2020.01

1-2020

Folk Art in Interdisciplinary Discourse: History, Theory, Methodology, Terminology

HERUS Lyudmyla
PRESERVATION OF THE INTANGIBLE CULTURAL HERITAGE: UKRAINIAN EXPERIENCE
3—14

SELIVACHOV Michael
ANTHROPOMORPHIC SIGNS / IMAGES OF FOLK UKRAINIAN ORNAMENT: PAGAN RELICTS, FOLKLORE SYMBOLS, MYTHOLOGY OF A FAKELORE
15—20

KOZINCHUK Vitaliі
«ZVENYHORODSCHYNA. SHEVCHENKO’S HOMELAND FROM AN ETHNOGRAPHIC AND DIALECTOLOGICAL POINT OF VIEW» AS A SOURCE FOR LEARNING TRADITIONS OF THE DOMESTIC ICON
21—26

TRISKA Oksana
THE PEDAGOGICAL ASPECTS OF THE UKRAINIAN CANONICAL ICONOGRAPHY AT THE BORDER OF THE XVII—XVIII CENTURY
27—35

MOLYN Valentyna
KATTRYNA ROMANIVNA SUSAK: TEACHER, LTADER, RESEARCHER AND MASTER OF EMBROIDERI, PUBLIK FIGURE
36—48

YAMBORKO Olha
UKRAINIAN INDUSTRIAL CARPETMAKING AS A BRAND IN THE SOVIET SYSTEM OF ARTS AND CRAFTS
49—59

The Place and Role of Folk Art in the Cultural Space of the XXI Century: Art Centres, Masters, Artistic Ideas

NYKORAK Оlena, KUTSYR Tetiana, KUMPIKAITE Egle, MILASIENE Daiva, RUKUIZIENE Zaneta, NENARTAVICIUTE Erika
WESTERN UKRAINIAN AND LITHUANIAN BEDSPREADS: DECOR ETHNO-ARTISTIC TRADITION PARALLELS
60—92

IVASHKIV Halyna
THE SACRAL EARTHENWARE FROM IVAN LEVYNSKYY’S FACTORY IN LVIV (IN COMMEMORATION OF HIS 100TH DEATH ANNIVERSARY)
93—108

GAIDAMAVICIUTE Ona
BIRD SYMBOLISM IN LITHUANIAN (BALTIC) FOLKLORE AND FOLK ART
109—116

CHIKH-KNYSH Bohdana
RICHKA MASTERS OF INLAYON WOOD. FOLLOWING TRADITIONS AND FORMALISM OF FOLK ART
117—125

BOLYUK Oleh
THE ANCIENT ART OF WOOD CARVING OF BOYKOS: ARCHAIC MONUMENTALITY AND «PAINTING» GEOMETRY
126—137

Folk and Academic Art, Relationships and Mutual Influences

MOTYL Romana
INTERNATIONAL CERAMICS SYMPOSIUM IN LELIŪNAI (LITHUANIA): TRADITIONS, ARTISTIC SEARCHINGS, ACHIEVEMENTS
138—146

STUDENETS Natalia
PODILLIA’S DOMESTIC MURAL PAINTING WITHIN MODERN ARTISTIC PRACTICES
147—154

BEREZUTSKA Maryna
A’CAPELLA IN THE REPERTOIRE OF BANDURA PLAYERS AS A MODERN ENTITY OF UKRAINIAN MUSIC (an example of Dnipropetrovsk bandura players ensemble «Charivnitsy»)
155—164

SHCHERBAN Anatoliy, KOTLYAR Yevgen
ARCHITECTURAL SKETCHES BY MYKHAYLO DYACHENKO
165—176

GAVRYLYUK Alla
THE ROLE OF FAMILY TRADITION IN THE FORMATION OF A CREATIVE PERSON (FOR EXAMPLE, FIVE GENERATIONS OF SELIVATCHOVS)
177—189

Folk Art in the Practice of Educational Institutions

FRUNZE Olena, BABINA Yuliana
POTTERY AS AN ETHNIC PHENOMENON OF TRANS BORDER OF FOLK ART AND AS AN ARTISTIC DISCIPLINE IN THE PRACTICES OF HIGHER EDUCATION INSTITUTIONS OF THE REPUBLIC OF MOLDOVA
190—199

Preservation and Promotion of Museums and Private Collections of Folk Art

FABRYKA-PROTSKA Olga
FESTIVAL «LEMKO’S VATRA» AS AN IMPORTANT PART OF THE ARTISTIC UKRAINIAN-POLISH COOPERATION
200—206

Articles

KUPCHYNSKA Larysa
THEODOR YAKHYMOVYCH (BASED ON YAROSLAVA MUZYKA’S ARCHIVE)
207—219

MOSKAL Marta
THE THEME OF THE STRUGGLE OF THE HOLY WARRIORS WITH EVIL IN UKRAINIAN RELIGIOUS ART OF THE XII—XVIII CENTURIES
220—228

ODREKHIVSKYI Roman
TRADITIONS OF FOLK ART IN FORMATION AND DEVELOPMENT OF THE ENVIRONMENTAL DESING OF THE SACRAL BUILDINGS IN GALICIA (THE FIRST THIRD OF XX CENTURY)
229—232

SHPAKOVYCH Oksana
THE STAGE DESIGN BY MYRON KYPRIIAN IN 60S OF THE TWENTIETH CENTURY
233—244

Our authors
Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »

Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
Read »

Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
Read »