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The Ethnology Notebooks. 2019. № 1 (145). P. 1–280

DOI https://doi.org/10.15407/nz2019.01

1-2019

HERUS Lyudmyla
FOLK DECORATIVE AND APPLYING ART ROLE IN THE CULTURAL CONSOLIDATION OF UKRAINIANS IN CRISIS PERIOD
4—12

SKLYARENKO Galina
FOLKLORE CULTURE IS IN THE UKRAINIAN CONTEMPORARY ART
13—19

FEDORCHUK Olena, NYKORAK Olena, KUMPIKAYT Egle, MILAZHENE Diva, NENARTAVIИIŪTĖ Erika
IN THE SEARCH OF ETHNO-ARTISTIC IDENTITY: UKRAINIAN-LITHUANIAN STUDIOS (the second meeting)
20—28

CHUYKO Oleh
DUAL FAITH IN THE MEDIEVAL CULTURE OF PRECARPATHIAN POPULATION
29—34

КОZINCHUK Vitalii
FOLK ICONS OF THE EASTERN PODILLYA (BY EXHIBITION FROM THE COLLECTION OF ALEXANDER CHERNOV)
35—40

LEBEDIEVA Alona
DIFFICULTIES OF TRANSLATION: BETWEEN «ETHNIC» AND «DESIGN»
41—47

VINNIKOVA Mariya
HEADDRESSES WITH AN «OPOYASKA» IN THE TRADITIONAL FEMALE COSTUME OF THE EASTERN BELARUSIAN-UKRAINIAN BORDERLAND
48—56

YAMBORKO Olha
UKRAINIAN THEMATIC CARPET OF 1930 —1960s AS AN ART PRACTICE OF SOCIAL REALISM
57—65

MOTYL Romana
POTTERY CENTRE IN CHERVONOGRAD — THE ECHO OF THE PAST IN MODERN TIMES
66—72

KUTSYR Tetiana
ZHOVKVA FOLK EMBROIDERY OF THE XXth — EARLY XXIst CENTURIES ARTISTIC FEATURE, ATTRIBUTION, REPRESENTATION
73—80

KNYSH Bogdana
HUTSUL LIZHNYKS. TRADITIONS AND MODERN INTERPRETATIONS (based on the materials of Kosiv district of Ivano-Frankivsk region)
81—91

SHEVCHUK Vasil
MASTERS OF ARTISTIC WOOD OF KIEV REGION AT THE BEGINNING OF THE XXI CENTURY
92—98

STUKALENKO Zoya
PEOPLE’S ORCHESTRA AS A FACTOR OF PROFESSIONAL GROWTH OF THE FUTURE PEDAGOGUE-MUSICIAN
99—102

URSU Valentina
REFLECTING THE DAILY LIFE OF PEOPLE IN HIGH SCHOOL HISTORY TEXTBOOKS FOR THE GYMNASIUM LEVEL IN THE REPUBLIC OF MOLDOVA
103—112

BILYJ Victor
KOSIV WOOD CARVING TRADITIONS IN PETRO KORPANIUK ART WORK (based on the exhibition materials by the 60-years anniversary)
113—119

TROTSENKO Anna
PLEIN AIR MOVEMENT IN THE REVIVAL OF STONE CARVINGART IN VINNYTSIA REGION WITHIN XX — BEGINNING XXI CENTURY
120—129

VILKHOVETSKA Kateryna
THE INFLUENCE OF FOLK ART ON THE SEARCH FOR NEW SOLUTIONS IN THE CONTEMPORARY ICON PAINTING BY LAVRA ART STUDIO NAMED AFTER I.YIZHAKEVICH
130—141

BEREZUTSKA Maryna
VICTOR VLASOV’S WORKS IN THE REPERTOIRE OF THE ENSEMBLE OF BANDURA PLAYERS «CHARIVNITSI»
142—148

FEDORNYAK Nataliya
SYNTHESIS OF FOLKLORE AND POP MUSIC IN THE RECORDINGS OF THE UKRAINIANS OF NORTH AMERICA
149—156

SELIVACHOV Michael
WHY RESEARCHER SHOULD POSSESS AN ART’ COLLECTION?
157—167

BOLYUK Oleh
COLLECTIONIST VS MUSEOLOGIST? (BASED ON GATHERING OF FOLK CLOTHES)
168—178

AKCHURINA-MUFTIEVA Nuriya
CONTEMPORARY RESEARCH OF A GROUP OF FABRICS FROM THE COLLECTION OF BAKHCHISARAY RESERVE
179—184

GAVRYLYUK Alla
MODERN ARRANGEMENT AND DESIGN APPROACHES TO THE DISPLAY OF ARTISTIC AND ARCHAEOLOGICAL HERITAGE IN KYIV REGION
185—198

KOROBEINYKOVA Yaroslava, ZORINA Galina
THE ROLE OF TOURISM IN THE POPULARIZATION OF FOLK ART (at the example of Ivano-Frankivsk region)
199—207

FABRYKA-PROTSKA Olga
SPECIFICITY OF PRESENTATIONS OF FOLK MUSIC ART ON THE FOLKLORE FESTIVALS OF THE UKRAINIAN WESTERN BORDER
208—213

OLARJESKU Dumetru
THE ROLE OF DOCUMENTARY FILM IN PRESERVATION AND VALORIZATION OF FOLK ART
214—220

KOZAKEVYCH Olena
TRADITIONAL KNITTED AND LACE CLOTHES COMPLEMENTS IN POKUTTIA REGION IN XX th — AT THE BEGINNING OF XXI CENTURY: LOCAL TYPOLOGICAL AND ARTISTIC PECULIARITIES
221—235

IVASHKIV Halyna
TYPOLOGY AND ARTISTIC PECULIARITIES OF ZOOMORPHIC EARTHENWARE OF THE XIXth — EARLY XXIst cc.
236—252

HORDIEIEV Volodymyr
THE FOLK DANCE VOCABULARY OF RIVNE POLISSYA IN THE CONTEXT OF FOLK CHOREOGRAPHIC CULTURE OF UKRAINE
253—258

IUDOVA-ROMANOVA Kateryna, ALENINA Yuliia
MODERNIZATION OF THEATER SPACE: MODERN DOMESTIC ARTISTIC CONTEXT
259—265

BOIKO Tetiana
JOSYP HIRNIAK’S ACTOR UNIVERSALITY DURING 1922—1933 IN THE CONTEXT OF LES` KURBAS THEORETICAL MANIFESTOES
266—271

HERUS Lyudmyla
THE LIFE, DEDICATED TO FOLK ART (to the Memory of Outstanding Scientist Raisa Zakharchuk-Chuhai)
272-279

Our authors
Yaroslav Taras. Head of Department, Professor, Doctor... read »
Boliuk Oleh - kandidate of sciences in arts, Doctoral... read »
Kuzmenko Oksana Senior Researcher, Candidate of... read »
Roman Radovych. Researcher, Ph.D. in History. read »
Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
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Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
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Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
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On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
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