Archive

The Ethnology Notebooks. 2019. № 1 (145). P. 1–280

DOI https://doi.org/10.15407/nz2019.01

1-2019

HERUS Lyudmyla
FOLK DECORATIVE AND APPLYING ART ROLE IN THE CULTURAL CONSOLIDATION OF UKRAINIANS IN CRISIS PERIOD

4—12

SKLYARENKO Galina
FOLKLORE CULTURE IS IN THE UKRAINIAN CONTEMPORARY ART

13—19

FEDORCHUK Olena, NYKORAK Olena, KUMPIKAYT Egle, MILAZHENE Diva, NENARTAVIИIŪTĖ Erika
IN THE SEARCH OF ETHNO-ARTISTIC IDENTITY: UKRAINIAN-LITHUANIAN STUDIOS (the second meeting)

20—28

CHUYKO Oleh
DUAL FAITH IN THE MEDIEVAL CULTURE OF PRECARPATHIAN POPULATION

29—34

КОZINCHUK Vitalii
FOLK ICONS OF THE EASTERN PODILLYA (BY EXHIBITION FROM THE COLLECTION OF ALEXANDER CHERNOV)

35—40

LEBEDIEVA Alona
DIFFICULTIES OF TRANSLATION: BETWEEN «ETHNIC» AND «DESIGN»

41—47

VINNIKOVA Mariya
HEADDRESSES WITH AN «OPOYASKA» IN THE TRADITIONAL FEMALE COSTUME OF THE EASTERN BELARUSIAN-UKRAINIAN BORDERLAND

48—56

YAMBORKO Olha
UKRAINIAN THEMATIC CARPET OF 1930 —1960s AS AN ART PRACTICE OF SOCIAL REALISM

57—65

MOTYL Romana
POTTERY CENTRE IN CHERVONOGRAD — THE ECHO OF THE PAST IN MODERN TIMES

66—72

KUTSYR Tetiana
ZHOVKVA FOLK EMBROIDERY OF THE XXth — EARLY XXIst CENTURIES ARTISTIC FEATURE, ATTRIBUTION, REPRESENTATION

73—80

KNYSH Bogdana
HUTSUL LIZHNYKS. TRADITIONS AND MODERN INTERPRETATIONS (based on the materials of Kosiv district of Ivano-Frankivsk region)

81—91

SHEVCHUK Vasil
MASTERS OF ARTISTIC WOOD OF KIEV REGION AT THE BEGINNING OF THE XXI CENTURY

92—98

STUKALENKO Zoya
PEOPLE’S ORCHESTRA AS A FACTOR OF PROFESSIONAL GROWTH OF THE FUTURE PEDAGOGUE-MUSICIAN

99—102

URSU Valentina
REFLECTING THE DAILY LIFE OF PEOPLE IN HIGH SCHOOL HISTORY TEXTBOOKS FOR THE GYMNASIUM LEVEL IN THE REPUBLIC OF MOLDOVA

103—112

BILYJ Victor
KOSIV WOOD CARVING TRADITIONS IN PETRO KORPANIUK ART WORK (based on the exhibition materials by the 60-years anniversary)

113—119

TROTSENKO Anna
PLEIN AIR MOVEMENT IN THE REVIVAL OF STONE CARVINGART IN VINNYTSIA REGION WITHIN XX — BEGINNING XXI CENTURY

120—129

VILKHOVETSKA Kateryna
THE INFLUENCE OF FOLK ART ON THE SEARCH FOR NEW SOLUTIONS IN THE CONTEMPORARY ICON PAINTING BY LAVRA ART STUDIO NAMED AFTER I.YIZHAKEVICH

130—141

BEREZUTSKA Maryna
VICTOR VLASOV’S WORKS IN THE REPERTOIRE OF THE ENSEMBLE OF BANDURA PLAYERS «CHARIVNITSI»

142—148

FEDORNYAK Nataliya
SYNTHESIS OF FOLKLORE AND POP MUSIC IN THE RECORDINGS OF THE UKRAINIANS OF NORTH AMERICA

149—156

SELIVACHOV Michael
WHY RESEARCHER SHOULD POSSESS AN ART’ COLLECTION?

157—167

BOLYUK Oleh
COLLECTIONIST VS MUSEOLOGIST? (BASED ON GATHERING OF FOLK CLOTHES)

168—178

AKCHURINA-MUFTIEVA Nuriya
CONTEMPORARY RESEARCH OF A GROUP OF FABRICS FROM THE COLLECTION OF BAKHCHISARAY RESERVE

179—184

GAVRYLYUK Alla
MODERN ARRANGEMENT AND DESIGN APPROACHES TO THE DISPLAY OF ARTISTIC AND ARCHAEOLOGICAL HERITAGE IN KYIV REGION

185—198

KOROBEINYKOVA Yaroslava, ZORINA Galina
THE ROLE OF TOURISM IN THE POPULARIZATION OF FOLK ART (at the example of Ivano-Frankivsk region)

199—207

FABRYKA-PROTSKA Olga
SPECIFICITY OF PRESENTATIONS OF FOLK MUSIC ART ON THE FOLKLORE FESTIVALS OF THE UKRAINIAN WESTERN BORDER

208—213

OLARJESKU Dumetru
THE ROLE OF DOCUMENTARY FILM IN PRESERVATION AND VALORIZATION OF FOLK ART

214—220

KOZAKEVYCH Olena
TRADITIONAL KNITTED AND LACE CLOTHES COMPLEMENTS IN POKUTTIA REGION IN XX th — AT THE BEGINNING OF XXI CENTURY: LOCAL TYPOLOGICAL AND ARTISTIC PECULIARITIES

221—235

IVASHKIV Halyna
TYPOLOGY AND ARTISTIC PECULIARITIES OF ZOOMORPHIC EARTHENWARE OF THE XIXth — EARLY XXIst cc.

236—252

HORDIEIEV Volodymyr
THE FOLK DANCE VOCABULARY OF RIVNE POLISSYA IN THE CONTEXT OF FOLK CHOREOGRAPHIC CULTURE OF UKRAINE

253—258

IUDOVA-ROMANOVA Kateryna, ALENINA Yuliia
MODERNIZATION OF THEATER SPACE: MODERN DOMESTIC ARTISTIC CONTEXT

259—265

BOIKO Tetiana
JOSYP HIRNIAK’S ACTOR UNIVERSALITY DURING 1922—1933 IN THE CONTEXT OF LES` KURBAS THEORETICAL MANIFESTOES

266—271

HERUS Lyudmyla
THE LIFE, DEDICATED TO FOLK ART (to the Memory of Outstanding Scientist Raisa Zakharchuk-Chuhai)

272-279

Our authors
Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
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On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
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On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
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Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
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