2023 year, issue 2

The Ethnology Notebooks. 2023. № 2 (170). С. 271-502

DOI https://doi.org/10.15407/nz2023.02

«Мені б хотілося, щоб Україна була державою, яка будує нові правила життя з іншими країнами в умовах глобальних викликів» (І. Марков)

CHORNIY Petro, SUDYN Danylo, ZAREMBA-KOSOVYCH Hanna
IHOR MARKOV’S SOCIAL ANTHRIPOLOGY: AN UNFINISHED PATH (the practice and theory of migration studies)

273—286

MARKOV Ihor, ZAREMBA-KOSOVYCH Hanna, SUDYN Danylo
NEW TOOLKIT FOR 21ST CENTURY MIGRATION STUDIES: HORIZONTAL SOCIAL SPACE, SOCIAL TIME AND SOCIODYNAMICS OF IDENTITIES

287—298

BABII Nadiia
CULTURAL AND ARTISTIC PRACTICES IN THE CONTEXT OF STRATEGIES OF RESISTANCE AND DEFENSE IN 2022

299—306

YASKIV Oleg
ABOUT THE PRINCIPLES OF DIALOGUE

307—313

BOYKO Ihor
INTEGRATION OF NATURAL SCIENCES AND SOCIAL AND HUMANITARIAN FIELDS OF SCIENCE ON THE EXAMPLE OF TRADITIONAL NATURE MANAGEMENT RESEARCH OF MOUNTAINOUS AREAS

314—323

RYABCHENKO Olga
THE ARMED FORCES OF UKRAINE AND THE TROOPS OF THE RUSSIAN FEDERATION IN MEMES OF THE UKRAINIAN DIGITAL SPACE: HUMOR, POLITICAL IDEAS AND IDEOLOGICAL IMAGES

324—342

KURIACHA Mariia
INTERNALLY DISPLACED PEOPLE FROM CRIMEA TO VINNYTSIA (ON THE EXAMPLE OF THE CRIMEAN TATARS, THE VILLAGE OF NOVA HREBLYA, KHMILNYTSKY DISTRICT, VINNTYSKY REGION)

343—352

HODOVANSKA Oksana
MUSEIFICATION OF OBJECTS OF CULTURAL HERITAGE: THE EXAMPLE OF THE NATIONAL MUSEUM OF FOLK ARCHITECTURE AND LIFE NAMED AFTER KLYMENTIY SHEPTYTSKY

353—360

Articles

KOZINCHUK Vitaliі
UKRAINIAN CANONICAL AND NON-CANONICAL CHURCH ICONOGRAPHY IN THE CONTEXT OF SACRED ART OF WESTERN EUROPE

361—366

DYACHENKO Alla
FEATURES OF THE DEVELOPMENT OF ART AND INDUSTRIAL EDUCATION INSTITUTIONS IN CENTRAL-EASTERN EUROPE

367—371

HERUS Lyudmyla
ACTIVITY OF THE «UKRAINIAN COOPERATIVE CRAFT UNION» 1915—1918 IN A CZARIST ARMY OF RUSSIA PRISONER-OF-WAR CAMP IN RASTATT (GERMANY) UNDER THE LEADERSHIP OF MYKHAILO PARASCHUK

372—378

ODREKHIVSKYI Roman
ART AS AN ARTISTIC AND AESTHETIC PHENOMENON OF THE SACRED CULTURE OF UKRAINIANS IN GALICIA

379—385

TRISKA Oksana
REGARDING THE USE OF THE TERM «DOMESTIC ICONOSTASIS»

386—395

KOZAKEVYCH Olena
THE ROLE OF «THE INDUSTRIAL AID LEAGUE» IN THE DEVELOPMENT OF TEXTILE CRAFT IN STANISLAVOV REGION IN THE EARLY XX CENTURY(CLOTHES, FABRICS, LACE)

396—405

BABUNYCH Yulia
UKRAINIAN MODERNIST PAINTERS IN FOREIGN ART ENVIRONMENTS: THE PARIS ENVIRONMENT

406—412

IVANYTSKA Tetiana
TRANSCARPATHIAN PICTORIAL PORTRAIT OF THE SECOND HALF OF THE XXth CENTURY. AS A MODEL OF SELF-IDENTIFICATION «I» OF THE ARTIST

413—418

GAKH Iryna
LION GETZ — A MUSEUM WORKER AND «LEMKIVSHCHYNA»: SECOND WORLD WAR (CONTINUATION OF THE PUBLICATION: LION GETZ — MUSEUM WORKER: LITTLE-KNOWN PAGES OF THE MUSEUM «LEMKIVSHCHYNA» IN SANOK 1930—1939)

419—425

TYPCHUK Victoria
WOODEN ART IN THE COLLECTION OF THE DELYATIN LOCAL HISTORY MUSEUM

426—434

LUTS Serhii
ASPECTS OF HANNA POLKOVOYA’S CREATIVITY IN JEWELRY OF THE LOBORTAS COMPANY

435—441

KUKHARENKO Oleksandr
AFTERWORLD FOOD IN FOLK BELIEFS, FAIRY TALES AND RITES

442—447

LYUBCHYK Ihor
LYUBCHYK IHOR LEMKIVSTVO UNDER THE INFLUENCE OF «VELVET CHANGES» IN CENTRAL-EASTERN EUROPE

448—458

BABENKO-ZHYRNOVA Maryna, KONDRATIUK Yevhen
DIALECTISMS OF ROZNOSHENSKE AND VELYKI TROIANY VILLAGES KIROVOHRAD REGION, HOLOVANIVSK DISTRICT

459—463

Publications

Yatsiv Roman
Anti-Moscow Front by Peter Andrusiv: from the scientific and journalistic heritage outstanding artist

464—491

Conferences

Fedorchuk Olena, Ivashkiv Halyna
VII-a International scientific conference “The cultural heritage of yesterday is a contribution to the development of tomorrow’s society”: results and perspectives

492—495

Reviews

Yatsiv Roman
Socio-cultural communication in the new way of understanding

496—497

Chornovol Igor
The forgotten page of ukrainian parliamentarism

498—500

Our authors
Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
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On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
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Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
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Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
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