« 2020. № 1 (151)

The Ethnology Notebooks. 2020. № 1 (151), 109—116

UDK398:[7.011.26.042:598.2](=172)

DOI https://doi.org/10.15407/nz2020.01.109

BIRD SYMBOLISM IN LITHUANIAN (BALTIC) FOLKLORE AND FOLK ART

GAIDAMAVICIUTE Ona

ORCID ID: https://orcid.org/0000-0001-9181-7208

master of Lithuanian philology, master of art history

senior museologist worker,

Lithuanian national museum,

Department of the Ethnic culture,

Arsenalo g.~1, Vilnius 01143

Abstract. Introduction. I suppose that the birds are the mediators of heaven and earth. The prophetic chanting of birds, the ability to fly in the sky, the ability to land on plants, the particular behavior of the human senses were associated with the rhythm of nature and its eternal change, the dynamism of space, the continuity of life. In folk art, birds are depicted on both sides of trees and flowers, crosses or roof poles, and if one at the top. Birds are depicted with wheels, concentric circles. They land on either side of the circle or within the circle itself. Folk art continues the millennial tradition of giving importance to birds. Still, one of the most important birds in Lithuanian folklore, especially the singing cuckoo, the destiny maker, the prophet of death, the «ancestor» of the goddess Laima, the fate bird.

Problem statement. Obviously, the image of the bird, which carries various symbolic meanings, is very important in Lithuanian, or rather Baltic, folklore and iconography. Birds in folklore, religion, perform many functions related to all stages of human life (birth, marriage, death), transformation, and accompany throughout human life. Birds are also mediators between heaven and earth, between the living and the dead. The purpose of this work is to discuss and summarize the symbolism of the bird phenomenon in Baltic folklore and iconography. There will also be a comparative study of Slavic folklore and iconography.

The purpose of this work is to discuss and summarize the symbolism of the bird phenomenon in Baltic folklore and iconography. There will also be a comparative study of Slavic folklore and iconography.

Methods. Complex interdisciplinary research is used — ethnographic, iconographic methods, as well as folklore (both singing and narrative), folk art and ethnolinguistic material.

Keywords: the birds, iconography, folk art, Baltic folklore, the Cuckoo, goddess Laima, incarnation, birds-psychopomps, sacredness, the World Tree, structural-semantic analysis.

Received 20.01.2020

REFERENCES

Jasiūnaitė, B. (2006) Saints and wicked in phraseology and folk culture. Vilnius : Vilnius University Press [in Lithuanian].
Dundulienė, P. (2006) Birds in Old Lithuanian Beliefs and Art. Vilnius: Science and Encyclopedia Publishing Center [in Lithuanian].
Olindaitė, V. (2005) Texts and Contexts: Language Movement. Kaunas : VU Press [in English].
Olindaitė, V. (1986) Birds in Lithuanian Folk Songs. Young Philologists’ Works. [in Lithuanian].
Љeљkauskaitė, D. (2011) Erotica in folklore. Sargelas : Kruenta [in Lithuanian].
Beresneviиius, G. (1990) Dausos. The Concept of Afterlife in the Old Lithuanian Worldview. Vilnius : Gimtinė /Taura [in Lithuanian].
Krėvė-Mickeviиius, V. (1930) Notes. X Volumes. Kaunas, Klaipėda [in Lithuanian].
Greimas, A. J. (2005) Studies of Lithuanian mythology. Compiled by Kкstutis Nastopka. Vilnius : Baltos lankos, 2005.
Kudirkienė, L. (2004) Folklore Image of the Cuckoo, Folklore Works, Vol. 21 (28). [in Lithuanian].
Trinkūnaitė, Ћ. (2002) Cuckoo image in singing folklore. Folklore Studies, № 23, 2002, p. 108—116 [in Lithuanian].
Gimbutienė, M. (1994). Ancient symbolism in Lithuanian folk art. Vilnius : Mintis [in Lithuanian].
Rimantas, B. (2006) Lithuanian and Prussian gods, goddesses and spirits: from rite to superstition. Klaipėda: Klaipėda University Press [in Lithuanian].
Zabulytė, J. (2006) Birds of Lithuanian Wooden Crosses: Interpretations of Meaning. Part I. Folk culture [in Lithuanian].
Dundulienė, P. (2006) Birds in Old Lithuanian Beliefs and Art. Vilnius : Science and Encyclopedia Publishing Center [in Lithuanian].
Gadon, E. (1989) The once and future Goddess. A sweeping visual chronicle of the Sacred female and her reemergence in the cultural mythology of our time. San Francisco : Harper, 1989 [in English].
Kaљinskaitė, M. (2014) Zoomorphic motifs in Lithuanian art. https://vb.vda.lt/object/elaba:2145474/2145474.pdf.
Keturka, A. (1987) Color in Lithuanian folk furniture decoration. Vilnius : Science. [in Lithuanian].
Usaиiovaitė, E. (1998) Lithuanian folk ornaments: peculiarities of peasant furniture decoration and symbolism. Vilnius : VDA Publishing House [in Lithuanian].
Dapљauskaitė, Ћ. (2008) Color and dйcor in the interior of Lithuanian dwellings in the XV—XIX cc. Master’s thesis. Kaunas : Kaunas Vytautas Magnus University [in Lithuanian].
Tumėnas, V. (2008) The Visual and the Mythical–Poetic Interpretations of Sky Luminaries In Lithuanian Traditional Textiles. Archeologia Baltica, vol. 10 [in English].
Tumėnas, V. (2002) Ornament of traditional Lithuanian belts. Typology and semantics. Ethnology of Lithuania. T. 9. Vilnius [in Lithuanian].

Read»

Our authors
On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
Read »