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« 2018. #2 (140)

The Ethnology Notebooks. 2018, 2 (140), 502—506.

UDK 785.1 +78.03

DOI https://doi.org/10.15407/nz2018.02.502

 Received 25.01.2018

MODERN BANDURA ENSEMBLE REPERTOIRE: SYNTHESIS OF FOLK AND ACADEMIC

ORCID ID: https://orcid.org/0000-0002-5511-2195

Berezutska Maryna, Аssistant professor

of the Department of Folk Instruments

M. Glinka Dnipropetrovsk Academy of Music

Contacts: bermarser@ua.fm

Abstrakt. The repertoire of the modern bandura ensemble of the Dnipropetrovsk Academy of Music named after Mikhail Glinka «Charivnytsia» is analyzed as a result of the synthesis of folk and academic in bandura art. Three main repertoire directions of the ensemble are defined: folk — folk songs arrangement; acade­mic — arrangement of works of Ukrainian and world classics, as well as contemporary Ukrainian composers; original  — compositions written specifically for the ensemble of bandura players.

Keywords: ensemble of bandura players, repertoire, bandura art.

REFERENCES

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