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« 2018. #1 (139)

The Ethnology Notebooks. 2018, 1 (139), 138–149

UDK 726.54:745.51.02](477)

DOI https://doi.org/10.15407/nz2018.01.138

Received 26.12.2017

THEORETICAL INSTRUMENTATION OF THE KNOWLEDGE OF THE PHENOMENON OF THE CHURCH ARTISTIC WOOD: TO THE QUESTION OF THE MAIN CONCEPTS

ORCID ID: https://orcid.org/0000-0002-0512-6388

Boliuk Oleh, Candidate of Sciences in Art Studies,

Ph.D, doctoral student in the Folk Art Department

of the Institute of Ethnology of the National Academy of Sciences of Ukraine.

Svobody Avenue 15,  79000, Lviv, Ukraine.

Contacts: e-mail: oleh.bolyuk@gmail.com

Abstract. The answers to the questions on the basic concepts necessary for the scientific cognition of the phenomenon of the church artistic wood are presented. The key theoretical toolkit for research is the method, approach and principle. An attempt is made to determine their universal definition, where there is no possibility of substitution of one value for another. In some examples, a functional projection of methodological tools for studying the wooden equipment of Ukrainian churches is considered.

 

Keywords: method, approach, principle, phenomenon, artistic wood, church, Ukraine.

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