« 2020. № 1 (151)

The Ethnology Notebooks. 2020. № 1 (151), 200—206

UDK39874.478.085.7 (477) (438)

DOI https://doi.org/10.15407/nz2020.01.200

FESTIVAL «LEMKO’S VATRA» AS AN IMPORTANT PART OF THE ARTISTIC UKRAINIAN-POLISH COOPERATION

FABRYKA-PROTSKA Olga

ORCID ID: https://orcid.org/0000-0001-5188-1491

Candidate of the Art critic, docent

the Department of Musical Ukrainian

Studies and Folk Instrumental Music Art

Institute of Art of the Vasil Stefanyk

Precarpathian National University

Academician Sakharov Street,

34-a, Ivano-Frankivsk,

Ivano-Frankivsk region, 76000, Ukraine

Contacts: e-mail: olgafp4@ukr.net

Abstract. Introduction. The purpose of the Lemko culture festival is to protect, preserve and develop cultural identity of the Lemkos ethnic group. Participants include amateurs, folklore and ethno-rock bands and singers from Poland, Ukraine, Serbia, Croatia, Slovakia, Canada and other countries. The cultural and artistic intentions of the organizers and performers of the action are intertwined and interconnected, composing the integrity of the past, present and future, reflecting the preservation of spiritual culture of the Lemko sub-entity as a whole.

Problem Statement. The article focuses on revealing the history of the origin and functioning of the folk festival Lemkos Vatra (Zdynia, Poland). It is noted that the connection of folklore with oral folklore contributed to the preservation of ethnic identity and ethno-cultural unity with the Ukrainian people, was a factor of self-identification, and also helped the Lemko families for many years to draw on the forces to resist polonization, slovacization. The porpose. The role of the Lemko Festival as a component of artistic Ukrainian-Polish cooperation for decades has been highlighted. The specifics of the festival action are described. Methods of local and regional study of Lemko musical folklore have been applied in the paper.

Results. Despite the dispersion around the world, Lemkos have preserved their culture to date. Due to the nature of the action, the presentation, revival, reproduction and popularization of the deep sacral-mental phenomena of the ethnos, the Lemko folklore festival unites the foundations of the traditional and the spectacular.

It is proved that today the Lemkos Vatra is the most large-scale and most popular event in Poland. The international ethnographic festival of Lemko culture is a kind of worldview that aims to preserve and develop traditions, rituals, song, instrumental and dance culture for future generations. This large-scale artistic phenomenon promotes dialogue between regions and countries, demonstrating national and ethno-cultural achievements, and is a manifestation of new relationships with the viewer and listener, who are often involved in the action.

Conclusion. According to the researchers, intercultural communication solves many problems of spiritual, moral, aesthetic, valued, humanistic character. Mutual exchange of cultural information promotes mutual understanding between peoples.

Keywords: history, Poland, Ukraine, festival, Lemkos, song culture, folklore.

Received 13.01.2020

REFERENCES

Bermes, I. (2018). Festival «Lemkivska Vatra» in Zhdina in the history and culture of subethnos. Bulletin of the National Academy of Management Personnel of Culture and Arts, 1, 101—105; Art Studies. Kyiv [in Ukraіnian].
Vatra, 4 (99). (2017). Heads. editor Victoria Goisak. FHU «LEBO» Gorlice; Printing house «Square» New Soncz [in Poland].
Gorbal, M. (2019). Lemko calendar 2020. Lviv: Institute of Ethnology of NAS of Ukraine [in Ukrainian].
Graban, V. (2019). Lemkos fire allowed Lemkos to be in themselves. Ukrainian almanac 2019 (P. 426). Unification of Ukrainians in Poland. Warsawa [in Poland].CE
Zhirov, M.S., & Popova, L.M. (2012). Culture-forming foundations of songwriting. Scientific reports of Belgorod State University. Series «Philosophy. Sociology. Right», 20 (115) (Vol. 18, pp. 287—294). Belgorod [in Russian].
Zemtsovsky, I. (1989). From folk song to folk choir: game of words or problem? Traditional folklore and modern folk choirs and ensembles (Issue 2, pp. 6—20). Leningrad, LGITMik [in Russian].
Lishko, V. (2002). Ukrainian-Polish Relations in the Field of Culture 19911999. Author’s abstract. Cand. hist. sciences: 07.00.01. Kyiv [in Ukrainian].
Pachos, Y. (2014). Ukrainian-Polish Cooperation in the Field of Culture (first decade of the 21st century): abstract. diss. cand. hist. sciences. Cherkasy [in Ukrainian].
Popova, L. (2011). Song creativity as an aspect of philosophical and cultural knowledge. Culture: experience, problems, research and teaching of the humanities (Pp. 272—276). Belgorod: BGIKI [in Russian].
Romanyuk, I., & Pachos, Y. Festivals of Ukrainian Culture in Poland as an Element of Fatherly Ukrainian-Polish Cooperation at the Beginning of the 21st century. Retrieved from: http: //dspace.nbuv.gov.ua/handle/123456789/87883 [in Ukrainian].
Strelchuk, L., & Strelchuk, V.V. (2013). Institutional components of Ukrainian-Polish humanitarian relations and cooperation. Lutsk: Volyn Antiquities [in Ukrainian].
Totsenko, Zh.M. (2012). Cooperation in the field of culture as a component of Ukrainian-Polish humanitarian relations: Author. diss. cand. sciences: 26.00.01. Kyiv [in Ukrainian].
Fabryka-Protska, O.R. (2013). Song culture of Lemkos of Ukraine (XX—XXI centuries). Ivano-Frankivsk: Nova Zorya [in Ukrainian].
Fabryka-Protska, O. (2019). Specificity of presentations of folk music at folk festivals of the Ukrainian western border. The Ethnology Notebooks, 1 (145), 208—213 [in Ukrainian].
Furdychko, A. (2008). The Ukrainian Melos at the Turn of the Millennium: the dynamics of the folklore tradition. Kyiv: Kind. CNUCiM Center [in Ukrainian].
Furdychko, A. (2015). Song folk culture as a means of preserving national identity. Culture and art in the modern world: Scientific notes of the Kyiv National University of Culture and Arts (Vol. 16, pp. 68—74). Kyiv [in Ukrainian].
Chaplyk, K. (2010). The Transformation of the Song Folklore of Lemko Migrants in Western Ukraine (Post-War Period): Author’s abstract diss. cand. arts. Kyiv: M.T. Rylsky IMF of NAS of Ukraine [in Ukrainian].

Read»

Our authors
Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »

On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
Read »

Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
Read »