Archive

« 2017. #2 (134)

The Ethnology Notebooks. 2017, 2 (134), 466—471

UDK 784.1

DOI https://doi.org/10.15407/nz2017.02.466

THE EVOLUTION OF THE PERFORMING MANNER OF OHMATIVSKYI CHOIR

Pyzhianova Nataliia, teacher in Uman State Pedagogical University. P.Tychyny

Department of Musicology and vocal-choral disciplines,

deputy dean of the Faculty of Arts for the introduction of distance education.

street Sadova, 2, Uman, Cherkasy region, 20300, Ukraine

Contacts: e-mail: pyzhianova@i.ua

Abstract. The article investigates the performing manner of Ohmativsky choir. The specific character of the folk songs performance by Ohmativsky choir has been reviewed. The evolution of the choir’s performing style has been characterized. The peculiarities of the performing manner, which combined folk and academic manner of singing, have been revealed.

Keywords: Okhmativsky choir, Porfyrii Demutsky, choir singing.

Received 09.03.2017

REFERENCES

Delo po raportu Umaskogo duhovnogo pravlenija o predstavlenii registra cerkvej Umanskogo uezda. TsDIAK Ukrainy. F. 127. Op. 368. Spr. 183 [in Ukrainian].
Instytut rukopysu Natsional’noi biblioteky Ukrainy imeni V.I. Vernads’koho (Lystuvannia Demuts’koho z Lysenko. 1888, 1901). F. 1. Opys № 42107—42108 [in Ukrainian].
Instytut rukopysu Natsional’noi biblioteky Ukrainy imeni V.I. Vernads’koho. F. 50. Opys 502. curiculum vitae [in Ukrainian].
Instytut rukopysu Natsional’noi biblioteky Ukrainy imeni V.I. Vernads’koho. F. 28. Opys 1111 (Yak ia chytaiu tserkovnyj obikhod. — 1920) [in Ukrainian].
Instytut rukopysu Natsional’noi biblioteky Ukrainy imeni V.I. Vernads’koho. F. 1. (Pesnopenija Bozhestvennoj liturgii prisposoblennyja dlja sels’kih horov) Opys 35932 [in Ukrainian].
Odes’ka natsional’na biblioteka im. M. Hor’koho. Viddil ridkisnykh vydan’ ta rukopysiv. F. 28/2 (Prymitky M. Komarova pro diial’nist’ Okhmativs’koho kho-ru) [in Ukrainian].
Odes’ka natsional’na biblioteka im. M. Hor’koho. Viddil ridkisnykh vydan’ ta rukopysiv. F. 28/2 (Lystuvannia P. Demuts’koho — M. Komarova) [in Ukrainian].
Bench, O. Tvorchist’ Porfyriia Demuts’koho, Vasylia Verkhovyntsia, Yaroslava Ba-rnycha v konteksti narodnoho khorovoho vykonavstva. Naukovyj visnyk Odes’koi natsional’noi muzychnoi akademii im. A.V. Nezhdanovoi, 10, 9—18 [in Ukrainian].
Bench, O. (2009). Profesijnyj narodnyj khorovyj spiv. Kyivs’ke muzykoznavstvo, 30, 1—15 [in Ukrainian].
Bulat, T. (1989). Kamernovokal’na liryka: stanovlennia pisniromansu. In Istoriia ukrains’koi muzyky: v 6 tomakh. (Vol. I: Vid najdavnishykh chasiv do sere-dyny XIX st., pp. 231—254). Kyiv: Naukova dumka [in Ukrainian].
Vakul’chuk, O. (2000). Muzychno¬fol’klorystychna spadschyna P. Demuts’koho. Rukopysna ta knyzhkova spadschyna Ukraïny, 6, 118 [in Ukrainian].
Demuc’kij, P. ( zbyrav v Kyjivshhyni). (1903). Lira j iji motivy. Kiїv: Gl.skladv kn. i magazin Leona Idzikovskago (Notopechatnja i drukarnja I.I. Choklova [in Russian].
Demuts’kyjm P. (1922). Liturhiia. Kyiv: 7ia Hostyp. [in Ukrainian].
Zasadna, O. (2013). Liturhiia Porfyriia Demuts’koho (1922): stylistyka v konteksti idei zahal’nonarodnoho spivu v tserkvi. Studii mystetstvoznavchi, 3—4, 44—50 [in Ukrainian].
Zlenko, H. (1978). Z istoriï Okhmativs’koho khoru P. Demuts’koho. Narodna tvorchist’ i etnohrafiia, 1, 18—22 [in Ukrainian].
Zahajkevych, M.P. (Ed.). (1990). Istoriia ukrains’koi muzyky: v 6-ty tomakh. (Vol. 3. Kinets’ XIX — pochatok XX st.). Kyiv: Naukova dumka [in Ukrainian].
Kvitka, K. (1986). Porfyrij Demuts’kyj. Vybrani statti. (Ch. 2). Kyiv: Muzychna Ukraina [in Ukrainian].
Koncerty krest’janskago Ohmatovskago hora. (1904). In Kіevskaja starina. Ezhemesjachnі istoricheskij zhurnal. (Vol. LXXXV, p. 72) [in Ukrainian].
Kuznets’, T. (2006). Pravoslavne dukhovenstvo Umanschyny XIX — pochatku XX stolittia. Kyiv: Kyivs’kyj universytet [in Ukrainian].
Medvedik, Ju. (2002). Bogoglasnik: istochnikovedcheskie voprosy istorii issledovanija sbornika i ego pesennyh tekstov. In A.V. Romanychev (Ed.), Bogoglasnik: vnebogosluzhebnye pesnopenija na prazdniki Gospodskie, Bogorodichnye i svjatyh. (pp. 166—173). Moskva: Izdatel’skij Sovet RPC [in Russian].
Osvjashhenie perestroenoj cerkvi v s. Ohmatove, Umanskogo uezda. (1905). KEV, 3, 68—69 [in Russian].
Poseshhenie Preosvjashhennym Sergiem, Episkopom Umanskim, sel Ohmatova i Kutov. (1901). KEV, 2, 84—97 [in Russian].
Pyzh’ianova, N. (2016). Okremi aspekty dukhovnoi muzyky Porfyriia Demuts’koho. Narodoznavchi zoshyty, 1, 195—200 [in Ukrainian].
Pyzh’ianova, N. (2014). Okhmativs’kyj khor pid orudoiu Porfyriia Demuts’koho. Zbirnyk naukovykh pratsKharkivskoi derzhavnoi akademii dyzajnu ta mystetstv, 3, 52—57 [in Ukrainian].
Pyzh’ianova, N. (2015). Diial’nist’ Porfyriia Demuts’koho v Kyievi u 1917—1927 rokakh. Narodoznavchi zoshyty, 1, 1321—1326 [in Ukrainian].
Pyzh’ianova, N. (2014). Zasnuvannia Okhmativs’koho sil’s’koho khoru Porfyriia Demuts’koho. Narodoznavchi zoshyty (seriia mystetstvoznavcha), 6, 1581—1585 [in Ukrainian].
Skoptsova, O. (2005). Stanovlennia ta osoblyvosti rozvytku narodnoho khorovoho vykonavstva v Ukraini (kinetsXIXXX stolittia): avtoref. dys. kand. mystetstvoznav. Kyiv: Kyiv nats. unt kul’tury i mystetstv [in Ukrainian].
Shatova, I. (2013). Stilevye osnovy odesskoj horovoj shkoly. Odesa: Astroprint [in Russian].
Yaschenko, L.P. (1957). D. Demuts’kyj: narys pro zhyttia i tvorchist’. Kyiv: Derzh. vydavnytstvo obrazotvorchoho mystetstva i muzychnoi literatury [in Ukrainian].
Parkhomenko L. Artystychna aprobatsiia (do 140 richchia debiutu u fol’klorystytsi Porfyriia Demuts’koho). Retrieved from: http://um.etnolog.org.ua/zmist/2015/97.pdf.

Read»

Our authors
On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
Read »