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The Ethnology Notebooks. 2017, 5 (137), 1047—1071

UDK 391:746.5].(477.85/.87=161.2)

DOI https://doi.org/10.15407/nz2017.05.1047

ETHNIC ART TRADITION OF HUTSULS` FOLK ADORNMENT GLASS­BEADED DECORATION

Fedorchuk Olena Stepanivna, Ph.D in Art Studies, senior researcher

at the Department of Folk Art

at the Institute of Ethnology

of the National Academy of Sciences of Ukraine

Svobody Avenue, 15, Lviv, 79000, Ukraine

Contacts: Tel. (032) 2970157; e-mail: ina@mail.lviv.ua

ORCID ID: https://orcid.org/0000-0002-4724-3566

Abstract. The paper is dedicated to bicentennial tradition of Gutsuls` folk adornment glass­beaded decoration and its local displays at the level of ethnic art zones and centers. Three stages of development are summarized. The original creativity paradigm accords to each stage. The propellant of tradition transformation process is its passionate­creative potential. Depending on its level tradition may be in different phases: conception, primary development, creative exaltation, reverb, actualization. Each phase is characterized with different scales and different folk art qualitative characteristics. Graphics of passionate­creative potential apple`s vision methods of local variety art traditions of Bukovyna`s, Galician and Zakarpattia`s Hutsulshchyna.

Keywords: ethnic art tradition, passionate­creative potential, stage of ethnic art traditionphases of art tradition, glass­beaded decoration of Ukrainian people’s adornment, Bukovyna`s Hutsulshchyna, Galician Gutsulshchyna, Zakarpattia`s Hutsulshchyna.

Received 26.07.2017

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