The Ethnology Notebooks. 2018, 1 (139), 138–149
UDK 726.54:745.51.02](477)
DOI https://doi.org/10.15407/nz2018.01.138
Received 26.12.2017
ORCID ID: https://orcid.org/0000-0002-0512-6388
Boliuk Oleh, Candidate of Sciences in Art Studies,
Ph.D, doctoral student in the Folk Art Department
of the Institute of Ethnology of the National Academy of Sciences of Ukraine.
Svobody Avenue 15, 79000, Lviv, Ukraine.
Contacts: e-mail: oleh.bolyuk@gmail.com
Abstract. The answers to the questions on the basic concepts necessary for the scientific cognition of the phenomenon of the church artistic wood are presented. The key theoretical toolkit for research is the method, approach and principle. An attempt is made to determine their universal definition, where there is no possibility of substitution of one value for another. In some examples, a functional projection of methodological tools for studying the wooden equipment of Ukrainian churches is considered.
Keywords: method, approach, principle, phenomenon, artistic wood, church, Ukraine.
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