« 2018. #6 (144)

The Ethnology Notebooks. 2018, 6 (144), 1552–1560

UDK 75.04.071.1:27-526.62-31](477.8-89-21)»1670/1760»

DOI https://doi.org/10.15407/nz2018.06.1552

Received 21.11.2018

SACRED IMAGE OF CHRIST IN ICONOSTASIS OF 1670—1760-s BY AUTHORSHIP OF MASTERS FROM TOWN RYBOTYCHI AT THE NADSIANNIA

ORCID ID: https://orcid.org/0000-0002-1202-1488

Kosiv Roksolana Romanivna, Ph.D. in Art Studies, Associate Professor,

the Department of Sacral Art of the Lviv National Academy of Arts,

Senior Researcher of the Department of Old-Ukrainian Art,

the National Museum in Lviv named after Andrey Sheptytsky,

38 Kubiiovycha Str., 79011, Lviv, Ukraine.

Contacts: e-mail: lanakosiv@yahoo.com

Abstract. The article deals with the iconography of Christ on the icons of iconostases by the authors of the masters of the church art center in the town of Rybotychi (Nadsisnnia, now Poland), which were active in the 1670—1760’s. It was traced that these masters, in general, adhered to the established in the XVII cent. in the Ukrainian iconostases traditions of reflection the image of the Savior, but in their works, we also see local features of iconography. It is noted that the craftsmen from Rybotychi were among the first to actively develop the image of Christ the Bishop in the rank of Prayer, which is known for the works of the late 1680s.

Keywords: iconography, icon, iconostasis, image of Christ, town Rybotychi (Nadsiannia).

REFERENCES

Kosiv, R. (2017). The 1660—1670s art works done by Tymotei — a painter and a burgher from Rybotychi. The Ethnology notebooks, 5, 1149—1155 [in Ukrainian].
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The schematism of the Saint Savior Province of St. Basil the Great rank in Galicia, laid in at the St. Onufrii monastery in Lviv on the 24th and 25th of July, 1866, and a short look at the Rus’ki monasteries and the monasticism, from the roots of the christianity in Rus’ to this day. (1867). Lviv: In the printing house of the Stauropigianski Institute [in Ukrainian].
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