The Ethnology Notebooks. 2018, 6 (144), 1561–1577
UDK 726.04.023.1-035.3:27-523.42/526(=161.2)”15/195″
DOI https://doi.org/10.15407/nz2018.06.1561
Received 21.11.2018
ORCID ID: https://orcid.org/0000-0002-8292-202X
Boliuk Oleh, Candidate of Sciences in Art Studies, Ph.D, research fellow
Folk Art Department,
at the Institute of Ethnology of the National Academy of Sciences of Ukraine,
15 Svobody Avenue, 79000, Lviv, Ukraine.
Contacts: e-mail: oleh.bolyuk@gmail.com
Abstract. The development of the wooden arrangement of Ukrainian churches is considered, traditions of production and placement of which, in part, originate from the shrines of the pre-Christian religions of the Mediterranean range, on the one hand, and, probably, established structural and tectonic features of the equipment of the churches of the East Slavic polytheism — on the other. The change of decoration in the church ritual and applied art of Ukrainians during the 16th — the middle of the 20th century was analyzed, which was synchronously transformed according to the evolutionary processes of European art in general and the creative idea of local craftsmen in particular. It was noted that socio-cultural, confessional-religious, political-ideological and other factors had a significant impact on the development of the phenomenon.
Keywords: Christianity, church, wood, decor, Ukraine.
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