Archive

« 2019. #1 (145)

The Ethnology Notebooks. 2019, 1 (145), 142—148

UDK 785.1 +78.03
DOI https://doi.org/10.15407/nz2019.01.142

VICTOR VLASOV’S WORKS IN THE REPERTOIRE OF THE ENSEMBLE OF BANDURA PLAYERS «CHARIVNITSI»

BEREZUTSKA Maryna

ORCID ID: https://orcid.org/0000-0002-5511-2195

Аsistant professor

Department of Folk Instruments

Glinka Dnipropetrovsk Academy of Music,

10 Livarna Str., 49044, Dnipro, Ukraine.

Contacts: e-mail: bermarser@ua.fm

Abstrakt. Ensemble of bandura players «Charivnitsi» M. Glinka Dnipropetrovsk Academy of Music is a living example of Ukrainian musical culture, its repertoire reflects the development of all ensemble bandura performance. The repertoire of the ensemble «Charivnitsi» includes musical mixture of various styles and trends, genres and forms. These are Ukrainian folk songs, works of foreign and domestic composers-classics, contemporary Ukrainian composers. Problem Statement. An important role in the development of any musical instrument plays the original repertoire created by the composers for this instrument only. Victor Vlasov’s оriginal works for bandura have a special place in the ensemble’s repertoire. A modern Odessa composer Victor Vlasov combined the unique timbre of bandura, poems of Ukrainian poets, contemporary means of musical expressiveness. Purpose. To analyze the works of V. Vlasov in the repertoire of the ensemble of bandura players «Charivnitsi» of M. Glinka Dnipropetrovsk Academy of Music, to find out the individual peculiarities of composer style in the original works bandura, to determine the role and significance of Vlasov’s works in the context of the problem of the bandura ensemble repertoire. Methods. The methodological basis of research comprises methods of system historical and musicological art analysis based on the principles of comprehensiveness and consistency. Results, Conclusion. The V. Vlasov’s works for bandura is a separate layer of the bandura repertoire, which is distinguished by the new approach of the modern composer to the national musical instrument. The composer masterfully used the timbre-acoustic properties of bandura in new original works, which made them hits of bandura performance and at the same time an integral part of the bandura’s concert and pedagogical repertoire.

Keywords: ensemble of bandura players, original repertoire for bandura, composer V. Vlasov.

Received 6.12.2018

REFERENCES

Мorozevich, N.V. (2017). Bandura creativity of V. Vlasov in the modern musical culture of Ukraine. Bandura Art of the 21st Century: Trends and Prospects for Development: (Proceedings of the II International Scientific Conference, Kyiv, 2006). Kyiv [in Ukrainian].
Ivanitsky, A.I. (2004). Ukrainian folk music. Vinnitsa: Nova Knyha [in Ukrainian].
Shevchenko, T.G. (2003). Complete collection of works in 12 volumes. Kyiv: Naukova Dumka [in Ukrainian].
Yatsenko, M. (Еd.). (1996). The history of Ukrainian literature of the XIX century: in 3 volumes. (Vol. 2): 40—60’s of the nineteenth century. Kyiv:Lybid [in Ukrainian].
Eisenstok, I.Y. (Еd.). (1976). Shevchenko dictionary in two volumes. (Vol. 1). Kyiv: Naukova Dumka [in Ukrainian].
Lanovik, M.B., Lanovik, Z.B. (2006). Ukrainian oral folk art. Kyiv: Znannya-Pres [in Ukrainian].

Read»

Our authors
Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
Read »