« 2019. № 5 (149)

The Ethnology Notebooks. 2019, № 5 (149), 1228—1232

UDK 398.87

DOI https://doi.org/10.15407/nz2019.05.1228



ORCID ID: https://orcid.org/0000-0001-6214-8738

Candidate of Philological Sciences,

Associate Professor of Journalism,

Ukrainian literature and culture,

SRI of the humanities,

University of the State Fiscal Service of Ukraine,

31, University st., 08200, Irpin, Kyiv region, Ukraine

e-mail: Lypen.pavlova@ukr.net

Abstract. Chronicle songs are, by their nature, a genre that reproduces extraordinary, exceptional, social and family-friendly events, goes «by the trace of real facts», with all the details informing about something special in the life of a person or collective. The intrigue of death is at the same time horror and deception, it is revealed in the image of hope, then defeat. There is an ethical paradox in the chronicle: death does exist, but at the same time it should not be. Man cannot perceive death as such, seeing in it a lie and moral iniquity — this is the tragic essence of man. But death — it yet is still a great moral test for personality: he cannot wish immortality, realizing the emptiness and absurdity in it.

Relevance of research. The genre consideration of the main components of the chronicle makes it possible to highlight the direct influence of mentality on the behavior of specific characters. Despite the fact that epic chronicles as a genre of extra-ordinary oral folk art were studied by folklorists at the turn of the nineteenth and twentieth centuries. However, modern folklore science still has more questions than answers. Synthetic thinking requires a system of ethical categories, presented alongside the aesthetic, in the chronicle. The purpose of the article is to study the category of moral choice in the aspect of moral responsibility of the personality on the example of a chronicle singer.

The object of the study is chronicles as genres, the texts of which are contained in the collections of Ukrainian folklore of XIX — beginning. XX century, as well as modern editions. The subject of intelligence is the category of ethics moral choice presented in the chronicle. Methods of the research: structural-semiotic, and hermeneutical, intentional values — psychological and cultural methods were used to find out the philosophical constants of the work.

Moral values are the basis of the concept of a chronicle singer. By exploring the vicissitudes of life and the circumstances of the tragic death of others, the author and the audience discover more and more problems and, at the same time, a valuable sense. Even a person who does not pursue something special, is constantly working on the discovery of values, solves for himself or herself some moral problems. As a result of the textual perception of the singer-chronicle, is not only the ordinary reassessment of values, but also the more complicated process — the re-evaluation of life. The essence of values is manifested in a timely, even extra-historical way.

Keywords: culture, folklore, chronicle, heroic epic, historical epic, song, text, social event, language code.

Received 21.09.2019


Songs of family life. (1988). Kyiv: Dnipro [in Ukrainian].
Lotman, Y.M. (1993). Mechanisms of Culture. Selected Articles: in the 3 vol. (Vol. 3, рp. 326—331).Tallinn: Alexandra [in Estonia].
Dennett, D. (2003). Why each of us is a novelist. Questions of philosophy, 2, 121—130 [in Russian].
Plisetsky, M. (1962). Historicism of Russian epics. Moscow: Higher School [in Russian].
From the Carpathian Mountains. (1981). Ukrainian folk songs are ballads. Uzhgorod: Carpathians [in Ukrainian].
Shukhevich, V. (1902). Hutsulshchyna. Materials on Ukrainian-Russian ethnology (Part 3, vol. 5). Lviv: Shevchenko Scientific Society [in Ukrainian].
Lotman, Yu. M. (1996). Inside the thinking worlds: Man — text — semiosphere — history. Moscow: Languages of Russian Culture [in Russian].
Kolessa, F.M. Ukrainian folk song in the newest phase of its development. Folklore works (Pp. 34—60). Kyiv: Scientific Thought [in Ukrainian].
Potebnya, A. (1922). Thought and language. The complete collection of works. Odessa: State Publishing House of Ukraine [in Ukrainian].
Lotman, Yu.M. (1970). Structure of the artistic text. Semiotic studies on art theory. Moscow [in Russian].
Ukrainian ballads (1993). Kyiv: Ukrainian Center for Spiritual Culture [in Ukrainian].


Our authors
On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
Read »

Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »

Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
Read »