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The Ethnology Notebooks. 2017, 4 (136), 928–934

UDK 7.041.2(477).”15″

DOI https://doi.org/10.15407/nz2017.04.928

ICONOGRAPHIC AND ART STYLISTIC PECULIARITIES OF ICON «CHRIST IN THE GRAVE» («MAN OF PAIN») DATED THE SECOND THIRD OF THE 16TH CENTURY FROM STARYI SAMBIR

Fedak Marta — a junior scientist of the National museum in Lviv

the name of А. Sheptyts’koho. Graduate student

of Institute of Ethnology of NAN of Ukraine.

boulevard of Freedom, 20, Lviv, Lviv area, 79000

Contacts: tel.: 0322 358 856

Abstract. The article studies the icon «Christ in the Grave» dated the second third of the 16th century originating from St. Nicholas Church in Staryi Sambir of Lviv region, now part of the collection of the National Museum in Lviv. The analysis centres on stylistic features of the icon and the plot iconography in the context of the world and Ukrainian art. This piece of art has been for the first time attributed, based on a number of its characteristics, to the artistic legacy of the «Master from Bahnuvate».

Keywords: icon, iconography, master, «Christ in the Grave».

Received 26.06.2017

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