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2018 year, issue 2

2-2018

DOI https://doi.org/10.15407/nz2018.02

Herus Liudmyla
MOTIVATION AND THE WAYS TO THEREALIZATION OF THE PROJECT «UKRAINIAN DECORATIVE ART 1990—2020`S: ETHNIC MEANING OF THE CREATIVE PRACTICES»
305–309

Nykorak Olena
MYKHAILO STANKEVYCH — THE RESEARCHER OF DECORATIVE ART THEORY
310–318

Fedorchuk Olena
THE CONCEPT OF THE ETHNIC ARTISTIC TRADITION OF BEADED DECORATION OF FOLK BURDEN OF UKRAINIANS (Part 2. factors of formation, evolution and actual ethnic art tradition)
319–327

Lebedieva Alona
«FOLK DESIGN»: THE DEFINITION THAT HAS NOT BECOME THE TERM
328–332

Fedorchuk Olena Stepanivna, Kutsyr Tetiana Vasylivna, Kumpikaitė Eglė, Milašienė Daiva
IN THE SEARCH OF ETHNO-ARTISTIC IDENTITY: Ukrainian-Lithuanian Studios (the First Meeting)
333–338

Boliuk Oleh
THE CURRENT STATUS OF CREATIVE PRACTICES OF UKRAINIAN ARTS AND CRAFTS (NARRATIVES OF INTERNET SOURCES): The first question: attempts to classify useful information
339–343

Kutsyr Tetiana Vasylivna
UKRAINIAN FOLK COSTUME RECONSTRUCTION AS A WAY OF FINDING NATIONAL IDENTITY
344–352

Vinnikava Mariia
HEADDRESSES IN THE TRADITIONAL COSTUME OF BELARUSIAN-UKRAINIAN BORDERLAND (WESTERN POLISSIA)
353–362

Triska Oksana
TRADITION OF HOME ICONS ON GLASS: REVIVAL, INTERPRETATION (on the example of lviv cell)
363–371

Kozakevych Olena
THE TRADITION OF BELTS` WEAVING ON AT HUTSULSHCHYNA IN THE XX — THE BEGINNING OF XXI CENTURY
372–384

Hasanowa Valida
THE PUBLICATION OF THE AZERBAIJAN FOLK TALES
385–390

Tsymbaliuk Olena
CUSTOM FLORISTIC IN SLOVITA VILLAGE FROM LVIV REGION IN THE BEGINNING OF XXI CENTURY
391–396

Ivashkiv Halyna
CERAMICS OF TWO GENERATIONS OF CHORNYI`S FAMILY: TRADITIONS AND INNOVATIONS
397–409

Hiliazova Nataliia
STAINED GLASS IN THE RESTORED SACRAL BUILDINGS OF IVANO-FRANKIVSK XX — EARLY XXI CENTURY
410–415

Makohin Hanna
FOLK ART STYLIZATION IN THE CLOTHES DESIGN OF THE EARLY XXI CENTURY
416–420

Lukovska Olha
CORRELATION BETWEEN TRADITIONS AND MODERN TRENDS IN UKRAINIAN ART TEXTILE AT THE TURN OF XX—XXI CENTURIES
421–424

Sydor Vitalii
SACRAL LANDSCAPE SCULPTURE OF HALYCHYNA OF THE END OF XX — BEGINNINGS OF THE XXI CENTURY: TYPOLOGICAL NOVATIONS AND ICONOGRAPHIC CHARACTERISTICS OF THE IMAGE OF CHRIST
425–435

Dutka Romana
WAYS OF UPDATING UKRAINIAN FOLK PRINTED FABRIC IN THE XXI CENTURY
436–440

Oliinyk Olha
WEAVING OF POKUTTIA IN THE END OF XX — THE EARLY XXI CENTURIES: TRADITION AND FIGURATIVE-STYLE INSPIRATION
441–447

Yamborko Olga
MODERN AND TRADITIONAL ASPECTS IN THE CARPETS OF OLENA AND OLHA KULCHYTSKY
448–453

Moisei Liudmyla, Babina Yuliana
FORMATION OF THE ETHNO-ARTISTIC CULTURE OF STUDENTS IN THE SPHERE OF ARTS AND CRAFTS
454–462

Motyl Romana Yaroslavivna
THE TRADITIONAL CERAMICS IN THE SYSTEM OF THE ARTISTIC EDUCATION (by the example of the Kosiv State Institute of Applied and Decorative Arts named after Vasyl Kasiyan of the Lviv National Academy of Arts)
463–468

Chikh-Knysh Bohdana
THE ROLE OF KOSIV CENTER OF ART EDUCATION IN THE PRESERVATION OF TRADITIONAL CRAFTS OF HUTSULSHCHYNA
469–477

Klymchyk Iryna
ORGANIZATION OF EDUCATIONAL PRACTICE IN THE DNIPROPETROVSK ACADEMY OF MUSIC NAMED AFTER. M. GLINKA
478–482

Selivachov Mykhailo
THE ROLE OF VASIL PARAKHIN IN THE UKRAINIAN FOLK ART ON THE EDGE OF 20th AND 21st ct (to the 80th anniversary of birth)
483–493

Shpak Oksana
TRADITIONAL PAINTING OF YAVORIV DISTRICT AS A SOURCE OF ARTISTIC INSPIRATIONS OF NATALIIA DIUG
494–501

Berezutska Maryna
MODERN BANDURA ENSEMBLE REPERTOIRE: SYNTHESIS OF FOLK AND ACADEMIC
502–506

Vavrukh Mariia
FACTOR OF NATIONAL SELF-IDENTITY IN LVIV PAINTINGS IN SECOND HALF OF 1960 — BEGINNING OF 1970
507–513

Flikop-Svito Halyna
ICONS ON GLASS IN BELARUS: THE ORIGINS OF CRAFTS, WORKS OF THE 1920’S AND 1930’S. IN MUSEUM COLLECTIONS AND PRIVATE COLLECTIONS
514–522

Our authors
Yaroslav Taras. Head of Department, Professor, Doctor... read »
Olena Nykorak. Senior Researcher, Doctor of Arts read »
Olena Fedorchuk. Senior Research Fellow, Ph.D. read »
Kuzmenko Oksana Senior Researcher, Candidate of... read »
On field exploration of russian and belarusian ethnologists and etnolinguists in Ukrainian Polisia 1945—1980s
In the study based on a wide range of literary materials have been comprehensively characterised field research in Polisia of Ukraine, performed by Russian and Belarusian ethnologists during 1945—1980s as well as Moscow ethnolinguists and other researchers from ethnologic centres of Russia, Ukraine and Belarus in the course of realization of Ethnolinguistic Atlas of Polisia program. Particular attention has been paid to geography, methods, themes and research results of scientific projects.
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Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
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Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
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On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
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