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The Ethnology Notebooks. 2019. # 6 (150). P. 1377–1752

6-2019

Articles

KOSIV Roksolana
ICONS ON CANVAS «THE TREE OF JESSE» OF THE SECOND HALF OF THE 17th CENTURY FROM THE NATIONAL MUSEUM IN LVIV NAMED AFTER ANDREY SHEPTYTSKY IN THE CONTEXT OF SUBJECT DEVELOPMENT
1379—1392

ZAVARYNSKA Khrystyna
GYRIC ENGRAVING OF THE XVIITH — THE FIRST HALF OF THE XVIIITH CENTURY
1393—1407

HELYTOVYCH Maria
LATE XVI — EARLY XVII CENTURY. ICONOSTASIS FROM THE CHURCH OF TRANSFORMATION IN SKOLE: ATTEMPT OF THE RECONSTRUCTION AND SPECIFICATION OF THE ATTRIBUTION
1408—1419

HERII Oksana
IMAGES OF EVANGELISTS ON THE PENDENTIVES IN THE DOMED CHURCHES: SPATIAL ASPECTS OF THE TEMPLE SYMBOLISM
1420—1431

MAKOYDA Orest
THE GENESIS OF THE CRUCIFIX IN THE EARLY CHRISTIAN PERIOD
1432—1446

ZHYSHKOVYCH Volodymyr
A FEW NOTES TO THE CREATIVE PORTRAIT OF THE PAINTER FEDOR, A STRIKING REPRESENTATIVE OF THE ICON-PAINTING CENTER OF LVIV AT THE END OF 16th — THE FIRST THIRD OF THE 17th CENTURY
1447—1463

SEMCHYSHYN-HUZNER Olesia
ICONOGRAPHY OF ST. MARTYR JOSAPHAT KUNTSEVYCH IN UKRAINIAN ART OF THE EARLY 20TH CENTURY: INSPIRATION RESOURCES
1464—1481

MAZUR Viktoriya
SOME ASPECTS OF DECORATIVE WOOD CARVING IN THE INTERNAL SPACE OF WOODEN CHURCHES OF THE ORTHODOX NADROSSYA OF THE XVIII CENTURY
1482—1487

KUPCHYNSKA Larysa
THE WORKS OF VLADISLAV PELCHARSKY PERIOD OF STUDYING
1488—1498

VOLYTSKA-ZUBKO Iryna
ON THE ISSUE OF THE GENERAL EDUCATIONAL QUALIFICATION OF THE ACTORS OF THE THEATRE OF THE LVIV SOCIETY «RUSKA BESIDA» IN THE CONTEXT OF THE EDUCATIONAL SYSTEM OF THE AUSTRIAN GALICIA OF THE LATE 19th — EARLY20th CENTURIES: TYPOLOGICAL ASPECT
1499—1509

BAKOVYCH Olena
TYPOLOGY OF ICONOSTASIS OF THE EAST OPILLIA СHURCHES IN THE MIDDLE OF THE 19TH CENTURY
1510—1516

KOVAL Andriy
THE IMAGE OF MOSES IN PAINTINGS OF KORNYLO USTYIANOVYCH: VISUAL RECEPTION
1517—1524

KUSHNIRUK Nataliia
THE INFLUENCE OF THE ART OF ITALIAN PRERENAISSANCE ON THE WORK OF MYKHAILO BOYCHUK AND HIS STUDENTS
1525—1535

FRANZHULO Valeriia
ANIMAL’S DECORATIVE PATTERNIN THE SUBSTANTIVE WORLD OF THE CRIMEAN TATARS
1536—1541

GLIBOVA Tatiana, OLENINA Olena
ELEMENTS OF NATIONAL ART-AESTHETIC TRADITION IN THE PLAYGROUND SCULPTURE OF JAPAN
1542—1550

PUZYRKOVA Anna
BOYCHUKISMAS SPECIFIC MANIFESTATION OF THE UKRAINIAN AVANT-GARDE PHENOMENON
1551—1556

SHVORAK Inna
SACRED AND PROFANE IN THE TRADITIONAL WEDDING RITUAL OF WESTERN VOLYN: FORMS AND FUNCTIONS
1557—1562

HOSHCHITSKYY Artem
IVAN TEODOROVYCH SHVED, THE PHOTOGRAPHER FROM URYCH VILLAGE IN SKOLE REGION (THE INTRODUCTION TO THE ARTIST AND HIS PHOTOGRAPHS)
1563—1571

DMITRYUK Viktoriia
FUNCTIONING OF PHOTO PRACTICES IN INTERIOR CONTEXT OF ODESSA REGION: COMPARATIVE PROSPECTS VILLAGE/CITY
1572—1582

MUKHINA Larysa
STESHENKO’S CREATIVITY IN THE CONTEXT OF THE DEVELOPMENT OF THE WORLD OPERA ART OF THE FIRST HALF OF THE 20th CENTURY
1583—1590

PYZHIANOVA Nataliia
RESEARCH OF THE PROCESS OF SPREADING OF THE MIDDLE DNIEPERPERFORMING TRADITION OF GROUP SINGING (ON THE EXAMPLE OF OKHMATOV CHOIR)
1591—1597

LEVYTSKA Mariana
CULTURAL TRANSFER THEORY AND ART STUDIES: APPLICATION TO ARTIST’S BIOGRAPHY CASE STUDY
1598—1605

MARKOVYCH Kost’
AN ATTRIBUTION OF A NUMBER OF ICONS OF PEREMYSHL SCHOOL TO THE NAMELESS ICONOGRATHER OF THE SECOND QUARTER OF THE XVIth СENTURY, KNOWN AS AN AUTHOR OF ICONS FROM ZHOHATYN
1606—1619

NOHA Oleksandr, SAVYTSKYJ Igor
PAVLO ZAPORIZHSKYJ — A LITTLE-KNOWN UKRAINIAN ICON PAINTER OF THE FIRST THIRD OF THE TWENTIETH CENTURY
1620—1625

KOROL Sofia
PAINTINGS IN THE CHURCH OF ST. NICHOLAS IN VYZHNYANY AND THE ISSUES OF THE ROMAN SELSKYI’S RELEGIOUS ART: TRIAL OF RECONSTRUCTION AND ANALYSIS
1626—1639

MELNYK Ivan
THE PRESERVED ARTISTIC HERITAGE OF OSYP VAS’KIV (1895—1972)
1640—1644

CHUBOTINA Iryna
PECULIARITIES OF MEN’S RURAL CLOTHING IN 1960th — 1970th ON THE EXAMPLE OF CHERVONA SLOBODA VILLAGE ACCORDING TO O. MEDVEDEV’S PHOTO ARCHIVE
1645—1657

OSADTSA Marta
TYPOLOGY OF URBAN LANDSCAPE IN THE PAINTING OF IVANO-FRANKIVSK REGION OF THE 20th — THE BEGINNING OF THE 21st CENTURY: PLOT, STYLISTIC AND COMPOSITIONAL CHARACTERISTICS
1658—1666

MAYOVETS Andrii
ILLUSTRATION OF CHILDREN’S BOOKS BY GRADUATING STUDENTS OF LVIV NATIONAL ACADEMY OF ARTS: ASPECT OF AUTHORIAL ARTISTIC LANGUAGE
1667—1673

LESIV Andriy
ART BETWEEN THE REAR AND THE FRONT. CONTEMPORARY UKRAINIAN ICONS ON AMMO BOXES
1674—1683

MATKOVSKA Ivanna
ALLEGORICAL WORKS OF ZENOVIJ FLINTA AND THEIR INTERPRETATION
1684—1691

RUDENKO-KRAEVSKA Natalia
THEATRICAL DESIGN CHARACTERS OF TETYANA MEDVID. THEATER INSTALLATIONS
1692—1699

HAVRYSHKEVYCH Ihor
ART WORK AS A DIMENSION OF A MONETARY EQUIVALENT
1700—1707

BABII Nadia
RELATIONS BETWEEN THE TRADITIONAL AND THE POSTMODERN IN THE CULTURAL AND ARTISTIC SPACE OF IVANO-FRANKIVSK IN THE 80—90s OF THE XX CENTURY
1708—1720

Anniversaries

BALAHUTRAK Mykola
IN SELFLESS WORK FOR THE PEOPLE AND SCIENCE… (75-year anniversary of Prof. Yaroslav Taras)
1721—1730

Reviews

Mushynka Mykola
Icons of Priashivshchyna in elucidation of the Lviv researcher
1731—1734

Levytska Maryana
About the church painting of Zakarpattia in lightcreation and preservation of ethnicoriginality
1735—1737

Information

Fedorchuk Olena
The exhibitionis opened to the public «Old Ukraine of Frantishek Gzegosh»
1738—1740

Klimashevsky Andriy
The Ceramic code of Ivan Levynsky. Exhibition project of the Museum of ethnography and artistic trade of The Institute of Ethnology of the National Academy of Sciences of Ukraine (to the 100-years from the day of death of Ivan Levynsky)
1741—1746

Sendecky Andrii
Ninth edition of annual Ukrainian project for young artists «Just tall tales»
1747—1750

Our authors
Olena Fedorchuk. Senior Research Fellow, Ph.D. read »
Ulana Movna. Senior Research Fellow, Ph.D. in History. read »
Oksana Sapeliak. Senior Research Fellow, Ph.D. in... read »
Stepan Pavluk. Prof., full member of NAS of Ukraine,... read »
Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
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Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
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Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of femi­nine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
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On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
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