Archive

« 2017. #4 (136)

The Ethnology Notebooks. 2017, 4 (136), 928–934

UDK 7.041.2(477).”15″

DOI https://doi.org/10.15407/nz2017.04.928

ICONOGRAPHIC AND ART STYLISTIC PECULIARITIES OF ICON «CHRIST IN THE GRAVE» («MAN OF PAIN») DATED THE SECOND THIRD OF THE 16TH CENTURY FROM STARYI SAMBIR

Fedak Martaa junior scientist of the National museum in Lviv

the name of А. Sheptyts’koho. Graduate student

of Institute of Ethnology of NAN of Ukraine.

boulevard of Freedom, 20, Lviv, Lviv area, 79000

Contacts: tel.: 0322 358 856

Abstract. The article studies the icon «Christ in the Grave» dated the second third of the 16th century originating from St. Nicholas Church in Staryi Sambir of Lviv region, now part of the collection of the National Museum in Lviv. The analysis centres on stylistic features of the icon and the plot iconography in the context of the world and Ukrainian art. This piece of art has been for the first time attributed, based on a number of its characteristics, to the artistic legacy of the «Master from Bahnuvate».

Keywords: icon, iconography, master, «Christ in the Grave».

Received 26.06.2017

REFERENCES

Bartosh, A. (2012).. Kozats’ki relikvii pershoi chverti XVII st. z fondiv Natsional’noho Kyievo-Pechers’koho istorykokul’turnoho zapovidnyka. Novi doslidzhennia pam’iatok kozats’koi doby v Ukraini. Zbirnyk nauk. statej. Vyp. 21. Ch. 2. Kyiv. S. 321–328 [in Ukrainian].
Helytovych, M. (2010). Ikony Starosambirschyny XIVXVI stolit’ zi zbirky Natsional’noho muzeiu u L’vovi imeni Andreia Sheptyts’koho. L’viv: Svichado [in Ukrainian].
Helytovych, M. (2004).ю Malovidomi pam’iatky ukrains’koho ikonopysu XVXVI stolittia (z kolektsii Natsional’noho muzeiu u L’vovi). Zachodnioukraińska sztuka cerkiewna: Materiały z między narodowej konferencji naukowej Łańcut; Kotań, 17–18 kwietnia 2004 roku. Część II. Łańcut: Muzeum-Zamek w Łańcucie. S. 57–132 [in Ukrainian].
Helytovych, M. (2014). Ukrains’kiikony XIII pochatku XVI stolit’zizbirkyNatsional’nohomuzeiu u L’vovi imeni Andreia Sheptyts’koho. L’viv: Natsional’nyj muzej u L’vovi imeni Andreia Sheptyts’koho; Kyiv: Majsterknyh [in Ukrainian].
Hordyns’kyj, S. (1973). Ukrains’ka ikona 12–18 storichchia. Filiadel’fiia [in Ukrainian].
Evseeva, L. M. (2008). Spas Nerukotvornyj v russkoj ikone. L. M. Evseeva, A. M. Lidov& N. N. Chugreeva. Moskva: Russkij Fond Sodejstvija Obrazovaniju i nauke; Universitet Dmitrija Pozharskogo [in Russian].
Kozak, N. (2013). Ikonatondo z Bahnovatoho v zbirtsi natsional’noho muzeiu u L’vovi im. A. Sheptyts’koho ta ikonohrafiia «Toboiu raduiet’sia» v post vizantijs’komu mystetstvi. Zberezhennia j doslidzhennia istorykokul’turnoi spadschyny v muzejnykh zibranniakh: istorychni, mystetstvoznavchi ta muzeolohichni aspekty diial’nosti: dop. ta povidomlennia Mizhnarodnoi nauk. konf., L’viv, 25–27 veresnia 2013 r., Natsional’nyj muzej u L’vovi im. A. Sheptyts’koho. L’viv. S. 273–277 [in Ukrainian].
Kosiv, R. (2013). Dvobichni ikony XV–XVI stolit’ na ukrains’kykh zemliakh: sproba interpretatsii pryznachennnia ta ikonohrafii. Visnyk L’vivs’koho universytetu. Seriia mystetstvoznavstvo. Vypusk 13. Zbirnyk naukovykh prats’. L’viv: L’vivs’kyj natsional’nyj universytet imeni Ivana Franka. S. 168–181 [in Ukrainian].
Kots’Hryhorchuk, L. (2002). Linhvistychno-heohrafichne doslidzhennia ukrains’koho dialektychnoho prostoru. N’iu-Jork; L’viv: Naukove tovarystvo im. Shevchenka v Amerytsi. Filolohichna sektsiia. Movoznavcha seriia [in Ukrainian]
Lazarev, V. N. (1970). Russkaja srednevekovaja zhivopis’. Stat’i i issledovanija. Moskva: Nauka [in Russian].
Lihachev, V. (1986). Iskusstvo Vizantii IVXV vekov. Leningrad: Iskusstvo [in Russian].
Liudyna i svit. (1999). № 8 [in Ukrainian].
Miliaieva, L. (2007). Ukrains’ka ikona XI–XVII stolit’. Kyiv [in Ukrainian].
Cventsits’ka, V. I. (1991). Ukrains’kyj zhyvopys XVIXVII st. U konteksti vizantijs’kykh mystets’kykh tradytsij ta zakhidnoievropejs’koho barokko. Ukrains’ke barokko ta ievropejs’kyj kontekst. Akademiia nauk Ukrains’koi RSR; Instytut mystetstvoznavstva, fol’kloru ta etnohrafii im. M. T. Ryl’s’koho; Pol’s’ka akademiia nauk; Instytut mystetstva. Kyiv: Naukova dumka [in Ukrainian].
Svientsitskyj-Sviatyts’kyj, I. (1929). Ikony Halyts’koi Ukrainy XV–XVI vikiv. L’viv [in Ukrainian].
Sydor, O. (2012). Patriarkh Josyf Slipyj i mystetstvo. Kyiv; Rym: Relihijne tovarystvo «Sv. Sofiia» dlia ukraintsiv katolykiv [in Ukrainian].
Sydor-Oshurkevych, Oleksandra. (1994). Ukrains’ka antyminstna hraviura XVIIXVIII stolit’. Zapysky Naukovoho Tovarystva imeni T. Shevchenka. Pratsi Sektsii mystetstvoznavstva. Tom CCXXVII. L’viv. S. 171–182 [in Ukrainian].
Skop, L. (2013). Pro davni pam’iatky u Starij Soli. Notatky mandrivnyka. Halyts’ka Brama. Sil’ zemli Halyts’koi. № 79 (223–225). L’viv: Hromads’ka orhanizatsiia «Instytut L’vova»; Tsentr Yevropy. Lypen’veresen’. S. 13–14 [in Ukrainian].
Yurchyshyn, O. (1999). Antyminsy XVII stolittia iepyskopiv peremys’kykh, sambirs’kykh ta povitu sianits’koho zi zbirky Natsional’noho muzeiu u L’vovi. Sztuka cerkiewna w diecezji przemyskiej. Materialy z miedzynarodowej konferencji naukowej 25–26 marca 1995 roku. Lancut. S. 151–162 [in Ukrainian].
Dobrzeniecki, T. (1971). Niekóre zagadnienia ikonografii Męża Boleści. Rocznik Muzeum Narodowego w Warszawie. XV, 1. Warszawa. S. 7152 [in Polish].
Giemza, J. (2013). Malowidla scienne w cerkwi P. W. Swietego Onufrego w Posadzie Rybotyckiej w swietle badan i digitalizacji przeprowadzonych w listopadzie 2011 roku. Zberezhennia j doslidzhennia istorykokul’turnoi spadschyny v muzejnykh zibranniakh: istorychni, mystetstvoznavchi ta muzeolohichni aspekty diial’nosti: dop. ta povidomlennia Mizhnarodnoi nauk. konf., L’viv, 2527 veresnia 2013 r., Natsional’nyj muzej u L’vovi im. A. Sheptyts’koho. L’viv. S. 509–518 [in Polish].
Giemza, J. (2006). O sztuce sakralnej Przemyskiej eparhii. Slowem i obrazem. Lancut [in Polish].
Gronek, A. (2015). Opus zczonedziedzictwo. O malowidłach w cerkwiśw. Onufrego w Posadzie Rybotyckiej. Kraków: Księgarnia akademicka [in Polish].
Janocha, M. (2008). Ikony w Polsce. Odsriedniowiecze do wspolczesnosci. Warszawa: Arkady [in Polish].
Sallay, D. (2000). The Eucharistic man of sorrows in late medieval art. Annual of medieval studies at Ceu. Vol. 6. Budapest: Central European University. P. 45–80.
Yurchyshyn-Smith, O. (1998). Development of Bizantineicono graphic tradition in Ukrainian antimensia of the XVIIth century. Byzantinoslavica. T. LIX. Prague; Slovanskyustav. Euroslavica.
Shalina, I. Ikona «Hristos vo grobe» i Nerukotvornij obraz na Konstantinopol’skoj plashhanice. Retrieved from: http://www.pravoslavie.ru/sretmon/turin/hristosvogrobe.htm [in Russian].

Read»

Our authors
Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
Read »

On bessarabian and moldavian ukrainians in the studies of historical ethnography
The article has thrown some light upon a sum of scientific findings got during XIX to XXI cc. in historio-ethnographic studies of Bessarabia and Moldavian Ukrainians. In the pre­sent paper has been given author’s answer to the problem of lacking progress as for the numerous themes concerning Ukrainians. State and achievements of the research-works in Ukrainians’ material and spiritual culture by the scientists of Moldavia and Ukraine through the years of independence has been exposed.
Read »

Maternity ritualism by volhynians in publications of the second half XIX to the early XXI cc.
In the article have been considered some basic landmarks for fixing and publication of ethnographic materials on the maternity rites of Volhynia with analytical study in ritual elements, their kinds and territories of origin. The article has also raised a problem of gaps in studies of maternity rites of Ukrainian historio-ethnographic Volhynia.
Read »

Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsi­diary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
Read »