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2026 year, issue 4

The Ethnology Notebooks. 2026. # 4 (190). P. 921-1308

DOI https://doi.org/10.15407/nz2026.04

Anniversaries

ZHYSHKOVYCH Volodymyr
THE ARTISTIC OECUMENE OF ROMAN YATSIV
927—939

KUPCHYNSKA Larysa
ROMAN YATSIV: THE PHENOMENON OF RESEARCHER OF UKRAINIAN ARTISTIC MODERNISM
940—949

YATSIV Andriy
ROMAN YATSIV: AN ESSAY ON CREATIVE BIOGRAPHY
950—959

SHMAGALO Rostyslav
ROMAN YATSIV‘S ANNIVERSARY DINNER: ART HISTORY, PAINTING AND GRAPHIC EXHIBITIONS 2017—2026
960—966

STASENKO Volodymyr
LANDSCAPE AS AN IMPULSE AND CONSTRUCT OF CULTURAL IDENTITY IN THE WORK OF ROMAN YATSIV: THE INTERACTION OF ANALYTICAL EXPERIENCE AND ARTISTIC PRACTICE
967—975

HERUS Lyudmyla
THE INSTITUTIONAL DIMENSION OF ROMAN YATSIV’S WORK: THE JOURNAL «NARODOZNAVCHI ZOSHYTY»
976—983

KUTSYR Tetiana
PEDAGOGICAL ACTIVITY OF ROMAN YATSIV
984—993

BABII Nadiia, HUBAL Bohdan
«ESCAPING THE KOMSOMOL» AS A METHODOLOGICAL MANIFESTO OF CONTEMPORARY ART CRITICISM
994—1000

TARAS Yaroslav
FATHER ILLIA YATSIV — A GREEK CATHOLIC PARISH PRIEST IN THE CONDITIONS OF A TOTALITARIAN STATE
1001—1022

YATSIV Roman
THE FATES OF UKRAINIAN DIASPORA ARTISTS: EPISODES FROM PERSONAL CONTACTS IN THE 1990-s
1023—1033

KARPIV Vasyl, ZMIІEVSKA Iryna, IHERI Oksana
ATTENTION TO DETAIL: ATTRIBUTION AND CONSERVATION OF MULTI-LAYERED WALL PAINTING IN A RESIDENTIAL INTERIOR (The Case of the Eminovych Townhouse in Lviv)
1034—1043

KUSHNIR Vitalii
«DECOLONIZATION» AT THE ACTUAL PRACTICE OF UKRAINIAN MUSEUM ACTIVITY: ATTITUDES AND PERSPECTIVES
1044—1055

TRISKA Oksana
FEATURES OF THE DECORATIVE DESIGN OF FOLK ICONS OF PODILLIA
1056—1067

PELEKH Mariana, LUKOVSKA Olha
ICONOGRAPHIC FEATURES OF THE ALTARPIECE «SAVIOR» FROM THE CHURCH OF THE CATHEDRAL OF ST. ARCHANGEL MICHAEL IN THE VILLAGE OF YASENYTSIA-ZAMKOVA
1068—1075

LAHODYCH Mykola
SEMANTICS AND PSYCHOLOGY OF SUFFERING IN THE ICONOGRAPHY OF «THE SAVIOR IN A CROWN OF THORNS» IN THE UKRAINIAN SACRED TRADITION
1076—1084

KOLUPAIEVA Ahniia
TRADITIONS IN ART CERAMICS OF THE LEADING CENTERS OF UKRAINIAN POTTERY. KOSIV. OPISHNE (late 20th — 2020s): HISTORIOGRAPHY AND SOURCE BASE OF RESEARCH
1085—1114

IVASHKIV Halyna
THE ANTHROPOMORPHISM OF CLAY POTTERY: TYPOLOGY AND DECORATION
1115—1131

FEDORCHUK Olena
«FOLK PRODUCT»: THE PROBLEM OF SPATIOTEMPORAL ATTRIBUTION OF COLLECTION BEADWORK ITEMS
1132—1142

STELMASHCHUK Halyna
THE UNBREAKABLE GENETIC CODE OF UKRAINIANS (BASED ON THE LIFE PATH OF IRENA BACHINSKA-CHABAN)
1143—1149

MAKOYDA Orest
EXPRESSION AND IMAGE IN THE WORK OF YAROSLAV KRUSHELNYTSKYI (SLAVKO): BETWEEN LVIV, PARIS, AND LUXEMBOURG
1150—1164

CHECHYK Valentyna
SERGE GLADKY: POCHOIR PORTFOLIOS AS A LABORATORY OF DECORATIVE FORM
1165—1174

DIACHENKO Alla
PERSONALITIES OF ARTISTS AND FEATURES OF CREATIVE APPROACHES IN THE DEVELOPMENT OF ARTISTIC AND INDUSTRIAL ART 1967—2000
1175—1187

KOVALIUK Khrystyna
DECORATIVE BLOWN GLASS LIGHTING FIXTURES BY MARIAN TARNAVSKYI IN THE ARCHITECTURAL ENVIRONMENT: ARTISTIC FEATURES AND PRESERVATION ISSUES
1188—1199

KOSOVYCH Taras
COMMUNICATION PRACTICES OF UKRAINIAN INCLUSIVE THEATRE IN ARMED CONFLICT CONDITIONS: A CASE STUDY OF «ILLUSION»
1200—1208

OROBETS Roman
LIGHT SCULPTURE AS A SPATIAL FORM OF AN IMMATERIAL STRUCTURE: THE PERCEPTION OF MATERIALITY
1209—1214

KEYAN Liang
NATIONAL MOTIFS IN THE PAINTING OF EARLY UKRAINIAN POST-IMPRESSIONISTS
1215—1222

DENYSENKO Olha
THE ARTISTIC WORLD OF KHARKIV ARTIST RASHID ORUDZHEV
1223—1234

SHUMEIKO Oksana
MYKHAILO DRAGOMANOV IN THE SCHOLARLY WORKS OF MYKHAILO VOZNIAK
1235—1240

Yaremchuk Valentyna
TO THE 130TH ANNIVERSARY OF THE BIRTN OF THE POLISH HISTORIAN JAKUB HOFFMAN (1896—1964) — RESEARCHER OF VOLHYNIA: ENCYCLOPEDIC AND REFERENCE ARTICLE
1241—1246

LEVYTSKA Oksana
THE MIRACLE OF KUPALA NIGHT: THE SYMBOLISM OF FERN FLOWER IN THE FICTIONALIZED BIOGRAPHIES OF ARTISTS
1247—1255

SHAKHRAI Tetiana
THE CHRISTIANIZATION OF RUS‘ AS A CIVILIZATIONAL CHOICE: FROM PRINCESS OLHA TO PRINCE VOLODYMYR THE GREAT
1256—1266

SYPKO Bogdana
DEPUTY PHILIPPE GRENIER (1896—1898): REASONS OF POLITICAL FIASCO
1267—1276

GABOR Vasyl
TRAVEL ESSAYS ABOUT ITALY: THE INTERWAR PERIOD AND THE UKRAINIAN POLITICAL CONTEXT
1277—1285

Boikos’ pandemonium: categories of evil deceased
In the article have been presented some research-work on peculiarities of Boikos’ traditional demonological notions as for so-called evil deceased; on the basis of field records and ethnological literary sources quite a number of scum categories have been defined as well as essential habits, modes of behavior and functions of these personages of people’s demonology.
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Traditional folk clothes of velikobychkovsky hutsuly of XIX — the first half of XX century
In the study based upon numerous field materials, literature sources as well as ethnographic, historio-cultural and regional museum collections has been performed complex analysis in traditional folk clothes by Hutzul population of Velyky Bychkiv village in Transcarpathian region. Detailed descriptions of feminine and masculine clothing complexes of the mentioned area have been presented. In characterizing of those main attention has been paid to the detail of cut in separate components of dress; cut of feminine shirt has been added as an illustration.
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Daily bread baking of ukrainians in the south-western ethnographical region at the late XIX to early XXI cc.
The paper has dealt with analytic study in prescriptions, signs, customs, methods, ways of selection, procurement and some peculiarities in usage of subsidiary means — water, firewood and leaves in bread baking. The final aim of the mentioned actions had been (and still is) selection of the means and ingredients fit, by their characteristics, for the backing of bread. The paper has demonstrated dependence of bread backing subsidiary means criteria from the folk nutritional standards and world outlook stereotypes as well as from regional social and economic, natural and geographical factors and peculiarities of material culture.
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Wax candle as ukrainian Christmas and epiphany ritualistic text
For the first time in native ethnology the article has brought some results of special study in sign functionality of a wax candle under the context of Ukrainian Christmas and Epiphany ritualistic text (ritualism of Christmas Eve, New Year, Epiphany Eve and Feast of Epiphany). The study has stated extremely high semiotic position of a wax candle as projection of Sun, mediator between the spheres of sacral and prophane elements, symbolic analogue of human existence, apotropy, cultural symbol re-establishing borders of acculturated space.
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